Where this was said
The Anthem as Political Weapon: From Dictatorship to Democracy
At 1:03:30 · chapter starts 1:03:00
Like so many anthems in this series, Brazil's has no fixed political meaning — it belongs to whoever sings it loudest. In the 1990s, landless rural workers occupying farms for land reform would sing the anthem to stop police attacks: 'they had no way of shooting at unarmed people singing the Brazilian national anthem.' In 2022, Bolsonaro supporters filmed themselves singing it while performing Nazi salutes. But the most celebrated use comes from the 1980s, when Brazil's military dictatorship — which had banned all non-orthodox interpretations of the anthem — was losing its grip on society under pressure from the Diretas Já movement demanding free elections. [1] — Dominic Sandbrook "Brazil's military dictatorship banned any non-orthodox interpretation of the national anthem. Singer Fafá de Belém broke that rule openly a…" 1:06:00 Singer Fafá de Belém, a celebrated sex symbol and voice of the masses with a low, husky fado-influenced tone, would perform the anthem at mass rallies in deliberately slow, mournful, melodramatic style that broke the dictatorship's rules. Hundreds of thousands wept. In 2013, she was invited into the Senate chamber to perform this same rendition for the 25th anniversary of Brazil's democratic constitution, celebrating the fact that the protesters had ultimately won. For once, Dominic notes, The Rest Is History ends on a relatively happy ending.
Brazil's military dictatorship banned any non-orthodox interpretation of the national anthem. Singer Fafá de Belém broke that rule openly at mass rallies demanding free elections in the 1980s, performing impossibly slow, mournful, melodramatic versions that made hundreds of thousands weep. The anthem became the sound of democratic resistance.
