Robert Wright argues live music, comedy, and live events will become more valuable as AI displaces intellectual labour, potentially enabling more musicians to earn a living than in the winner-take-all record industry era.
Snapshot · Modern Wisdom
Robert Wright argues live music, comedy, and live events will become more valuable as AI displaces intellectual labour, potentially enabling more musicians to earn a living than in the winner-take-all record industry era.
Where this was said
At 57:11 · chapter starts 56:47
Chris asks Wright what industries or career paths he would advise a young person to pursue. Wright's answer is grounded and specific: manual labour (plumbing, skilled trades) remains robot-resistant for now; certain human-presence services will become premium precisely because they are human. His most striking example is live music. The record industry era was winner-take-all — a handful of artists became fabulously wealthy while most made nothing. AI may paradoxically democratise music by increasing demand for authentic live performance, allowing more musicians to make a decent living at small venues. The same logic applies to stand-up comedy and live events more broadly. Wright mentions finding himself nearly emotionally overwhelmed watching a talented busker in the New York subway, describing it as a visceral reaction to the looming displacement of human creative labour by machines. 'If you don't think it's going to get weird,' he concludes, 'I don't think you're paying attention.'
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The Lion King musical has grossed over $11 billion in its 30-year run, making it the single highest-grossing piece of entertainment in history across any medium.
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