Billy Squier's 1984 'Rock Me Tonight' music video, where he danced in pastel sheets and a pink tank top, immediately caused concert ticket sales to decline, effectively ending his mainstream career.
Billy Squier's 1984 'Rock Me Tonight' music video, where he danced in pastel sheets and a pink tank top, immediately caused concert ticket sales to decline, effectively ending his mainstream career.
Where this was said
At 31:07 · chapter starts 22:03
The conversation turns to the money people who corrode music: the label executives who told Lynyrd Skynyrd that Freebird was too long, the A&R men who barge into studios with zero musical knowledge and demand edits. Tommy reveals that Mötley Crüe had a strict policy at Elektra Records — no label reps in the studio, ever. They allowed one in once and immediately ejected him when he started suggesting changes. Joe quotes Zach Bryan's song about music industry vampires building empires from other people's creativity. The segment reaches its peak with the Billy Squier deep-dive: Squier was a massive rock star, a genuine sex symbol, but his 1984 'Rock Me Tonight' video showed him dancing in pastel satin sheets and a pink tank top. Concert sales collapsed immediately. A 2011 book called it one of the worst videos ever made. Squier later accused the director of altering his original concept. One video. Career over.
Mötley Crüe had a strict policy at Elektra Records: nobody from the label was allowed in the studio. They let one executive in once. He immediately started suggesting edits. They kicked him out. You'll get it when it's done.
Billy Squier was one of the biggest rock stars in the world until his 1984 'Rock Me Tonight' video, where he danced around in pastel sheets and a pink tank top. Concert ticket sales collapsed immediately. He later accused the director of altering his concept. One video, career over.
The Frozen soundtrack was the best-selling album of 2014, selling 10 million copies including streaming equivalents — beating Taylor Swift's 1989.
Most music historians point to 1968 as the year reggae was definitively born, marked by songs like Desmond Dekker's 'The Israelites' and the first use of the word 'reggae' by Toots and the Maytals.
Mento, the earliest predecessor to reggae from the 1940s–50s, blended African work songs with European musical influences and featured instruments like banjo, guitar, and the rumba box.
Transistor radios allowed Jamaicans to tune into Miami R&B stations for the first time in the 1950s–60s, directly inspiring ska and setting the stage for reggae.
Rocksteady, the slower, vocal-heavy predecessor to reggae, was popular for just about two years but produced major hits including the original 'Tide Is High' and 'Ain't No Sunshine.'
Joe Higgs' 1960 debut hit 'Manny-O' with Higgs and Wilson was one of the first records ever pressed and sold in Jamaica, selling 50,000 copies — a remarkable figure for the era.
Two days after being shot in the chest and shoulder at his home in 1976, Bob Marley still performed the Smile Jamaica anti-violence concert, showing extraordinary commitment to peace.
Catch a Fire (1972) is considered the Wailers' first full-blown reggae album, despite the group having released approximately four albums prior that were more R&B in style.
DJ Kool Herc, widely credited as a founding father of hip-hop, was born in Kingston, Jamaica, and brought Jamaican toasting traditions with him when he moved to the Bronx at age 12.
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