Sarah Sherman revealed that her seemingly improvised crowd work calling out audience members wearing glasses was a written bit she had performed for eight years, not spontaneous riffing.
Sarah Sherman revealed that her seemingly improvised crowd work calling out audience members wearing glasses was a written bit she had performed for eight years, not spontaneous riffing.
Where this was said
At 45:30 · chapter starts 42:50
In one of the episode's most analytically rich exchanges, Sarah admits that she has spent her entire SNL career working outside-in: pick the weird wig first, then try to write jokes backward from that external choice. Watching newer castmate Ashley Padilla work from inside out — from a clear sense of what the character wants, with jokes that arise naturally from motivation — made Sarah realize she's been making everything twice as hard for herself. Amy's response is pointed: you're not afraid of bombing, you're afraid of succeeding at something new. She suggests visualizing Sarah in a neutral slip dress, hair natural, no makeup. Sarah recoils. But she also starts to consider it. The aside also reveals that many of Sarah's seemingly improvised moments — including her glasses-audience crowd work — are written bits she's performed for years.
Sarah Sherman admits she has spent six years at SNL building characters from the outside in — picking the wig before knowing the motivation. Watching castmate Ashley Padilla work from internal character truth made her realize her approach was making writing twice as hard. She's trying to flip it for season six.
Sarah Sherman's habit of building characters from costume outward (outside-in) makes jokes harder to write than building from motivation inward (inside-out), a struggle she's worked to address since watching Ashley Padilla.
A novel called 'Call Me, I'll Hide the Body' triggered a 14-publisher bidding war and sold for $2.4 million before critics alleged it was predominantly written by AI.
John Mulaney cold-texted Robby Hoffman out of nowhere to offer to produce her Netflix special, which became Wake Up.
Robby Hoffman posed as a courier to hand-deliver her spec script directly to the president of HBO Canada early in her career.
Robby and Mulaney filmed two shows in one night for the Netflix special; after the first they knew they had it, so the second was a victory lap.
Jimmy Carr performs up to 300 shows a year, often doing two shows per night, which he says reduces nerves rather than increasing them.
Jimmy Carr says that speaking at roughly 92 beats per minute is the optimal cadence for comedy and public speaking, including political speeches like Obama's.
The oldest recorded joke appears in a Roman book called 'The Lover of Laughter' and is still funny — a barber asking how a man wants his haircut, who replies 'in silence'.
Jimmy Carr argues that comedians like George Carlin, Richard Pryor, and Dave Chappelle have permanently expanded the conversational Overton window on sex, politics, and taboo topics.
The Lion King musical has grossed over $11 billion in its 30-year run, making it the single highest-grossing piece of entertainment in history across any medium.
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