A major twist in Victorian Psycho is the reveal that Mr. Pounds — the head of the household — is actually Winifred's biological father, explaining her mission to enter the house.
A major twist in Victorian Psycho is the reveal that Mr. Pounds — the head of the household — is actually Winifred's biological father, explaining her mission to enter the house.
Where this was said
At 56:20 · chapter starts 56:00
Ash observes that Victorian Psycho walks the rarest of tonal tightropes: the comedy and the horror coexist at full strength, neither watering down the other. She compares the experience to discovering the TV show Widow's Bay, which she's been recommending to everyone. Paul agrees enthusiastically, adding that most horror-comedies cheat by making the horror itself the source of comedy — which immediately deflates both elements. He struggles to name many films that genuinely achieve what Victorian Psycho does. Ash speculates that the horror renaissance is partly responsible for this richer blending of tones, and all three express cautious optimism about the Victorian Psycho film adaptation — with the note that Virginia Feito wrote the screenplay herself, which gives them hope.
Halfway through Victorian Psycho, a name on a document — John Pounds — reveals that the head of the household is Winifred's biological father. It reframes her entire mission and explains why she engineered her way into that specific household. The hosts and Paul all had their jaws drop.
Most horror-comedies make the horror itself the punchline, which waters everything down. Victorian Psycho and the TV show Widow's Bay pull off the rarer trick: the comedy and horror exist independently, each at full strength. Paul Tremblay says he struggles to name many films that achieve this.
The hosts run Paul Tremblay through a gauntlet of would-you-rathers: Winifred vs. villain group chat, ghost vs. book reviewer, Salem ghost vs. salty sea captain, and the ultimate question — Stephen King in the Bridgewater Triangle. Paul's answers reveal a man who deeply fears both random internet reviewers and the Puritan God.
A novel called 'Call Me, I'll Hide the Body' triggered a 14-publisher bidding war and sold for $2.4 million before critics alleged it was predominantly written by AI.
John Mulaney cold-texted Robby Hoffman out of nowhere to offer to produce her Netflix special, which became Wake Up.
Robby Hoffman posed as a courier to hand-deliver her spec script directly to the president of HBO Canada early in her career.
Robby and Mulaney filmed two shows in one night for the Netflix special; after the first they knew they had it, so the second was a victory lap.
Jimmy Carr performs up to 300 shows a year, often doing two shows per night, which he says reduces nerves rather than increasing them.
Jimmy Carr says that speaking at roughly 92 beats per minute is the optimal cadence for comedy and public speaking, including political speeches like Obama's.
The oldest recorded joke appears in a Roman book called 'The Lover of Laughter' and is still funny — a barber asking how a man wants his haircut, who replies 'in silence'.
Jimmy Carr argues that comedians like George Carlin, Richard Pryor, and Dave Chappelle have permanently expanded the conversational Overton window on sex, politics, and taboo topics.
The Lion King musical has grossed over $11 billion in its 30-year run, making it the single highest-grossing piece of entertainment in history across any medium.
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