Joe Hill found an old Entertainment Weekly manuscript written by Stephen King in longhand on a legal pad, with no corrections or edits — every sentence perfect from first draft.
Snapshot · Last Podcast On The Left
Joe Hill found an old Entertainment Weekly manuscript written by Stephen King in longhand on a legal pad, with no corrections or edits — every sentence perfect from first draft.
Where this was said
At 51:39 · chapter starts 49:40
Henry poses one of the most practical questions of the episode: when does an idea tip from promising to abandoned? Joe Hill's answer is character-first — he can write on a strong concept for a couple of days, but if there's no one inside the story he gives a damn about, he walks away. The concept without the character is a dead story. Stephen's version is more mechanical: a story needs two parts, like an engine needing a transmission. Just having a great image isn't enough; it has to connect with something that drives the whole thing. He adds, with disarming vulnerability, that every time he sends a manuscript to his publisher he expects a call saying it's all 'blah blah blah.' Meanwhile Joe confesses he assumes everything he writes is brilliant. The gap between their self-assessments is hilarious and revealing.
Joe Hill found an old handwritten Entertainment Weekly review by his father — sent by courier on a legal pad, no strikeouts, no corrections. Every sentence perfect on the first try. It's either genius or demonic.
Every time Stephen King sends a manuscript, he expects a call saying it's worthless. Meanwhile Joe Hill is completely certain everything he writes is brilliant. The gap is hilarious.
The music conservatory Mark Manson attended had a dropout rate of approximately 87–90%, illustrating how few people reach the 'religious' stage of commitment to a creative calling.
A novel called 'Call Me, I'll Hide the Body' triggered a 14-publisher bidding war and sold for $2.4 million before critics alleged it was predominantly written by AI.
John Mulaney cold-texted Robby Hoffman out of nowhere to offer to produce her Netflix special, which became Wake Up.
Robby Hoffman posed as a courier to hand-deliver her spec script directly to the president of HBO Canada early in her career.
Robby and Mulaney filmed two shows in one night for the Netflix special; after the first they knew they had it, so the second was a victory lap.
Jimmy Carr performs up to 300 shows a year, often doing two shows per night, which he says reduces nerves rather than increasing them.
Jimmy Carr says that speaking at roughly 92 beats per minute is the optimal cadence for comedy and public speaking, including political speeches like Obama's.
The oldest recorded joke appears in a Roman book called 'The Lover of Laughter' and is still funny — a barber asking how a man wants his haircut, who replies 'in silence'.
Jimmy Carr argues that comedians like George Carlin, Richard Pryor, and Dave Chappelle have permanently expanded the conversational Overton window on sex, politics, and taboo topics.
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