Behind the scenes, Sylvester Stallone was in discussions to star in a film adaptation of Stephen King and Joe Hill's collaboration Throttle, though the project ultimately did not happen.
Snapshot · Last Podcast On The Left
Behind the scenes, Sylvester Stallone was in discussions to star in a film adaptation of Stephen King and Joe Hill's collaboration Throttle, though the project ultimately did not happen.
Where this was said
At 11:34 · chapter starts 10:00
Asked about their collaborative process, Joe Hill reaches for the most vivid metaphor he can find: writing with his father is like hanging on to an ACME rocket after Wile E. Coyote lights the fuse. Joe agonizes over 3 pages; Stephen responds 45 minutes later with 5 more. The pair have only officially collaborated twice — on In the Tall Grass (adapted into a Netflix film) and Throttle (which briefly had Sylvester Stallone circling the lead role before it fell apart). Stephen mentions he was 'chemically assisted' during his early collaborative work with Peter Straub on The Talisman. The chemistry of the King creative household is already coming into sharp focus: prolific output, rock-and-roll energy, and a father who simply outpaces everyone.
The music conservatory Mark Manson attended had a dropout rate of approximately 87–90%, illustrating how few people reach the 'religious' stage of commitment to a creative calling.
A novel called 'Call Me, I'll Hide the Body' triggered a 14-publisher bidding war and sold for $2.4 million before critics alleged it was predominantly written by AI.
John Mulaney cold-texted Robby Hoffman out of nowhere to offer to produce her Netflix special, which became Wake Up.
Robby Hoffman posed as a courier to hand-deliver her spec script directly to the president of HBO Canada early in her career.
Robby and Mulaney filmed two shows in one night for the Netflix special; after the first they knew they had it, so the second was a victory lap.
Jimmy Carr performs up to 300 shows a year, often doing two shows per night, which he says reduces nerves rather than increasing them.
Jimmy Carr says that speaking at roughly 92 beats per minute is the optimal cadence for comedy and public speaking, including political speeches like Obama's.
The oldest recorded joke appears in a Roman book called 'The Lover of Laughter' and is still funny — a barber asking how a man wants his haircut, who replies 'in silence'.
Jimmy Carr argues that comedians like George Carlin, Richard Pryor, and Dave Chappelle have permanently expanded the conversational Overton window on sex, politics, and taboo topics.
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