Tom Hanks told Keir Dullea — star of 2001: A Space Odyssey — that he had seen the film 119 times and always found something new.
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Tom Hanks told Keir Dullea — star of 2001: A Space Odyssey — that he had seen the film 119 times and always found something new.
Where this was said
At 10:50 · chapter starts 9:00
A listener named Charlotte asks what Hanks struggles to let go of, inspired by the Toy Story 3 incinerator scene that made her promise never to throw away her daughter's toys — a promise she has kept for 17 years. Hanks responds warmly, confessing to a battle between Marie Kondo's joy principle and the 'diabolically sounding' Swedish death cleaning practice, concluding that some items — like the sweatshirt he wore the day he moved his son into college — simply cannot be discarded regardless of their condition. [1] — Tom Hanks "56-year-olds who grew up with Toy Story: Tom Hanks noted that Toy Story's original audience has now aged to 56, and those fans are now shar…" 09:54 He then speaks with genuine emotion about the multigenerational reach of Toy Story: the original audience is now in their mid-50s and sharing the films with their own children. This leads to a vivid anecdote about meeting Keir Dullea of 2001: A Space Odyssey — turning into 'a babbling fool' — and his elevator trick with young children who can't compute that Woody is real until he asks them to close their eyes.
Pixar threw out 80% of the original Toy Story because the DNA was fundamentally wrong. Starting over from scratch — changing the entire Woody-Buzz dynamic — was the decision that made the franchise what it became.
Pixar threw out approximately 80% of the original Toy Story during production, deciding there was something intrinsically wrong with its DNA before starting over.
The original Toy Story audience is now in their mid-50s. They're watching the films again with their own children, who are the same age they were at the first viewing. The emotional contract renews itself with every generation.
Tom Hanks noted that Toy Story's original audience has now aged to 56, and those fans are now sharing the films with children who are the same age they were when they first saw it.
Tom Hanks has watched 2001: A Space Odyssey 119 times and always found something new. When he finally met its star Keir Dullea, he became a 'babbling fool' — proof that even Hollywood's biggest star gets starstruck.
When Tom Hanks meets children in elevators, his identity as Woody simply doesn't compute — until he tells them to close their eyes and imagine Woody. The moment their face explodes with recognition is, he says, the production of high art.
A novel called 'Call Me, I'll Hide the Body' triggered a 14-publisher bidding war and sold for $2.4 million before critics alleged it was predominantly written by AI.
John Mulaney cold-texted Robby Hoffman out of nowhere to offer to produce her Netflix special, which became Wake Up.
Robby Hoffman posed as a courier to hand-deliver her spec script directly to the president of HBO Canada early in her career.
Robby and Mulaney filmed two shows in one night for the Netflix special; after the first they knew they had it, so the second was a victory lap.
Jimmy Carr performs up to 300 shows a year, often doing two shows per night, which he says reduces nerves rather than increasing them.
Jimmy Carr says that speaking at roughly 92 beats per minute is the optimal cadence for comedy and public speaking, including political speeches like Obama's.
The oldest recorded joke appears in a Roman book called 'The Lover of Laughter' and is still funny — a barber asking how a man wants his haircut, who replies 'in silence'.
Jimmy Carr argues that comedians like George Carlin, Richard Pryor, and Dave Chappelle have permanently expanded the conversational Overton window on sex, politics, and taboo topics.
The Lion King musical has grossed over $11 billion in its 30-year run, making it the single highest-grossing piece of entertainment in history across any medium.
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