The Louis Theroux Podcast

Snapshot · The Louis Theroux Podcast

S7 EP8: Yorgos Lanthimos discusses working with Emma Stone, suffering for his art, and directing a Bourne movie

Explore episode Apr 20, 2026

Where this was said

Dogtooth Deep Dive: Language, Control, and Family Mythology

At 4:24 · chapter starts 4:20

Louis and Lanthimos spend an extended segment unpacking Dogtooth's internal world-building mechanics. Louis had rewatched the film the previous evening and leads Lanthimos through the opening montage where a tape recorder plays redefined words — 'sea' means armchair, 'excursion' means toaster — explaining how the parents suppress any curiosity that might make their grown children want to leave. Lanthimos explains that he and co-writer Efthymis Philippou invented these details as practical puzzles the parents would have to solve, such as explaining the planes overhead by throwing model aeroplanes into the garden. He credits the film's genesis to observations about Mediterranean family culture, particularly in Greece, where adult children historically stayed with parents well into adulthood. David Lynch's characterisation of Dogtooth as 'a fantastic comedy' — cited by Louis — serves as the touchstone for the idea that the film has always been read wrong by critics who focus only on its darkness.

TV & Film
Dogtooth's Opening: Redefining Language as Control

S7 EP8: Yorgos Lanthimos discusses working with Emma Stone,… · Apr 20, 2026 TV & Film

The opening montage of Dogtooth shows a tape machine playing redefined words — 'sea' means armchair, 'excursion' means toaster — a neat encapsulation of how the father controls his family by controlling language itself. Lanthimos and co-writer Efthymis Philippou built these puzzles to establish the film's rules without explaining them.

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