Tom Holland performed Billy Elliot on the West End from age 11 to 13, calling it a formative and riotous experience.
Tom Holland performed Billy Elliot on the West End from age 11 to 13, calling it a formative and riotous experience.
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At 29:26 · chapter starts 27:20
The dancing thread leads naturally into Tom's most exciting upcoming project: a Fred Astaire biopic directed by Paul King. Tom describes arriving at Pineapple Dance Studios — the London studio where he trained as a child — terrified, tap shoes on for the first time in 15 years. [1] — Tom Holland "Tom Holland hadn't worn tap shoes in 15 years when he walked into Pineapple Dance Studios for his first Fred Astaire biopic rehearsal. He p…" 26:30 He made a high-stakes call: he Googled the Billy Elliot music and played it in front of the director. What followed was a moment of pure muscle memory — the choreography surfaced on its own, the lights and audience of his childhood flooded back. He's quick to note that the standard would horrify his original Billy Elliot choreographers, but the spark was undeniably still there. Any lingering question about whether to take the role dissolved in that room. Tom says his biggest professional regret is quitting dance when Billy Elliot ended, and this film is his chance to reclaim it.
Tom Holland wore tap shoes for the first time in 15 years for a Fred Astaire biopic rehearsal and found his Billy Elliot muscle memory instantly returned.
A novel called 'Call Me, I'll Hide the Body' triggered a 14-publisher bidding war and sold for $2.4 million before critics alleged it was predominantly written by AI.
John Mulaney cold-texted Robby Hoffman out of nowhere to offer to produce her Netflix special, which became Wake Up.
Robby Hoffman posed as a courier to hand-deliver her spec script directly to the president of HBO Canada early in her career.
Robby and Mulaney filmed two shows in one night for the Netflix special; after the first they knew they had it, so the second was a victory lap.
Jimmy Carr performs up to 300 shows a year, often doing two shows per night, which he says reduces nerves rather than increasing them.
Jimmy Carr says that speaking at roughly 92 beats per minute is the optimal cadence for comedy and public speaking, including political speeches like Obama's.
The oldest recorded joke appears in a Roman book called 'The Lover of Laughter' and is still funny — a barber asking how a man wants his haircut, who replies 'in silence'.
Jimmy Carr argues that comedians like George Carlin, Richard Pryor, and Dave Chappelle have permanently expanded the conversational Overton window on sex, politics, and taboo topics.
The Lion King musical has grossed over $11 billion in its 30-year run, making it the single highest-grossing piece of entertainment in history across any medium.
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