Tom Holland is prepping to play Fred Astaire in a Paul King-directed biopic, calling it his biggest creative risk yet.
Tom Holland is prepping to play Fred Astaire in a Paul King-directed biopic, calling it his biggest creative risk yet.
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At 26:20 · chapter starts 22:20
Amy draws Tom into a rich conversation about his relationship with movement and performance. Tom explains that all four Holland brothers were enrolled in a Saturday dance school called Nifty Feet, and that his parents never missed a show. The real turning point comes in a story Tom tells about being caught 'marking' a routine — going through the motions without effort — and the car ride home afterward where his father said, in essence: you must always give your best, even when you're not feeling it. [1] — Tom Holland "Tom Holland's comedian father caught him 'marking' a dance routine — going through the motions without trying — and told him in the car tha…" 22:35 It's a deceptively simple piece of fatherly wisdom that Tom says he returns to constantly as an adult. Amy echoes it from her own career: the instinct to appear ambivalent when nervous is a trap that separates good from great. Tom crystallizes the lesson: failing while trying beats failing without trying, because at least then you have no regrets.
Tom Holland's comedian father caught him 'marking' a dance routine — going through the motions without trying — and told him in the car that you must always present as your best, even on bad days. That single conversation is one Tom says he returns to constantly as an adult professional.
A childhood car conversation with his dad about always giving 100% — even on bad days — became Tom Holland's most important professional lesson.
Janet Jackson is one of five people Tom Holland credits as integral to his entire career. Her music gave him rhythm as a kid, his mom enrolled him in dance, he got spotted for Billy Elliot, got an agent, and eventually became Spider-Man — a chain he says would never have started without her.
Tom Holland says Janet Jackson is one of 5 people most integral to his career — her music got him dancing, which led to Billy Elliot and Spider-Man.
A novel called 'Call Me, I'll Hide the Body' triggered a 14-publisher bidding war and sold for $2.4 million before critics alleged it was predominantly written by AI.
John Mulaney cold-texted Robby Hoffman out of nowhere to offer to produce her Netflix special, which became Wake Up.
Robby Hoffman posed as a courier to hand-deliver her spec script directly to the president of HBO Canada early in her career.
Robby and Mulaney filmed two shows in one night for the Netflix special; after the first they knew they had it, so the second was a victory lap.
Jimmy Carr performs up to 300 shows a year, often doing two shows per night, which he says reduces nerves rather than increasing them.
Jimmy Carr says that speaking at roughly 92 beats per minute is the optimal cadence for comedy and public speaking, including political speeches like Obama's.
The oldest recorded joke appears in a Roman book called 'The Lover of Laughter' and is still funny — a barber asking how a man wants his haircut, who replies 'in silence'.
Jimmy Carr argues that comedians like George Carlin, Richard Pryor, and Dave Chappelle have permanently expanded the conversational Overton window on sex, politics, and taboo topics.
The Lion King musical has grossed over $11 billion in its 30-year run, making it the single highest-grossing piece of entertainment in history across any medium.
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