18-49 audience down 70-80% since 2016
Since 2016, the Late Show, Tonight Show, and Jimmy Kimmel Live have lost 70 to 80% of their core 18-to-49 demographic audience.
Snapshot · The Prof G Pod with Scott Galloway
Is an MBA Still Worth It? and the Future of Legacy Media
Explore episode
Jul 15, 2026
Where this was said
Q2: Late Night TV Is Dying — Is That Bad for America?
At 9:01 · chapter starts 7:10
The second question comes from a self-described 20-year-old who still watches Jimmy Kimmel and NBC News every night on YouTube — a demographic so rare that Galloway compares them to a deep-sea creature thought to be extinct. The cultural argument is acknowledged: Galloway praises Colbert, Kimmel, and Meyers as genuinely gifted performers. But the economic reality is damning. Viewership is down 90% since Johnny Carson. Combined ad revenue fell from $439M in 2018 to $220M in 2024 — halved in six years [1] — Scott Galloway "Late-night ad revenue halved in 6 years: Combined network late-night ad revenue fell from $439M in 2018 to $220M in 2024 — cut in half in j…" 09:10 . The Late Show with Stephen Colbert ran $60M in revenue against $100M in costs, employing 200 people — a structure that makes cancellation almost inevitable. Galloway's prediction: Colbert starts a podcast, employs six people, generates $20M in revenue against $4–5M in costs, and makes the same money or more [2] — Scott Galloway "Podcasts deliver 80% of the quality of a TV show at 5% of the cost. Stephen Colbert's show ran 200 people for $100M; a podcast version need…" 09:53 . Conan O'Brien's trajectory — from under 1M nightly TV viewers to 9M YouTube subscribers — is the proof of concept. The segment closes with Galloway's broader thesis: podcasts are television shows that arbitrage the means of production, delivering 80% of TV quality at 5% of the cost. And politically, the medium now wields so much influence that any presidential candidate will appear within 48–72 hours of being called.
Late-night viewership down 90%
As a percentage of American households that tune in, late-night TV viewership has dropped 90% since the Johnny Carson era.
Late Night TV Is Dying: The Numbers Don't Lie
Combined late-night network ad revenue collapsed from $439M in 2018 to $220M in 2024. Viewership is down 90% since Johnny Carson. The average show now loses $40M a season. The industry isn't struggling — it's structurally broken.
Late night profit swing: +$180M to -$40M
In 2015 the average late-night comedy show generated $180M in profit; today the average show loses $40M per season.
Late-night ad revenue halved in 6 years
Combined network late-night ad revenue fell from $439M in 2018 to $220M in 2024 — cut in half in just six years.
Conan's Proof: 1M TV Viewers vs. 9M YouTube Subscribers
Conan O'Brien struggled to hit one million nightly viewers on TBS. After leaving TV, he accumulated nine million YouTube subscribers. Meanwhile, Jimmy Kimmel's clips get three times as many views on YouTube as on broadcast.
Colbert: $60M revenue, $100M cost
The Late Show with Stephen Colbert reportedly generated $60M in revenue against $100M in costs, making it economically unviable.
Similar snapshots
Wife Gabby had 25 boyfriends on The Bachelorette
Robby's wife Gabby Windey was the Bachelorette on the TV show, meaning she had 25 male contestants, before eventually coming out and marrying Robby.
The Hawk is Will Ferrell's first lead TV series
Jimmy Tatro noted that The Hawk on Netflix is Will Ferrell's first TV series where he is the lead, despite Ferrell's long movie career.
Jimmy Tatro is working with Will Ferrell for the 5th time
Jimmy Tatro revealed The Hawk is his fifth time working with Will Ferrell, having gone straight from a movie with Ferrell's team into the series.
Reacher — 56M global viewers in one week
Reacher Season 2 attracted 56 million global viewers in a single week, making it one of the most-watched streaming shows in Amazon Prime Video history.
Motor City — no dialogue silent film
Motor City is a film with zero spoken dialogue, originally conceived by then-Warner Bros. president Greg Silverman so that global audiences could share the same experience without language barriers.
Motor City on Hollywood Blacklist since 2009
The Motor City script appeared on Hollywood's prestigious Blacklist of best unproduced screenplays as early as 2009 and was greenlit nine times with different directors before finally being made.
Held at Titan/Hawk audition — turned down 5 times
Alan Ritchson turned down the role of Hawk on Titans five times before finally accepting, having convinced himself he was destined for Shazam — which he ultimately did not get.
Thor audition — 'he doesn't have the craft'
Alan Ritchson's failed Thor audition was so poor the casting director broke protocol to call his team and say he didn't have the craft — a moment Ritchson describes as the career-defining crossroads that sent him to acting school.
7 years on the hamster wheel
Camila Mendes shot Riverdale for 7 consecutive years, 10 months per year, with only 2-month gaps between seasons, leaving no time to stop or rest.
