Jimmy Tatro is playing the nemesis-son to Will Ferrell's washed-up golfer in The Hawk, his fifth project with Ferrell and Ferrell's first lead TV series. The real highlight: Molly Shannon, playing his on-screen mother, drove off set on the last day with Chief Keef blasting from her subwoofers.
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At 46:20 · chapter starts 44:15
Andrew gets down to brass tacks: how was working with Will Ferrell? Jimmy says it was great — this is the fifth time they've worked together, and the team went straight from a movie directly into The Hawk, which meant no audition, offer only [1] — Jimmy Tatro "Jimmy Tatro is working with Will Ferrell for the 5th time: Jimmy Tatro revealed The Hawk is his fifth time working with Will Ferrell, havin…" 51:05 . Ferrell plays a washed-up golfer trying to make his comeback; Jimmy plays a younger pro golfer who starts to outshine him, prompting Ferrell's character to go 'on a mission to take him down.' Fortune Feimster plays a caddie Ferrell picks up in a Walmart parking lot who has no idea what golf is. Molly Shannon plays Jimmy's on-screen mother, and on the last day of shooting she drove off set with Chief Keef blasting at full volume from her subwoofers [2] — Jimmy Tatro "On like the last day of shooting, everyone's kind of leaving, and I just hear like— and I walk out of my trailer and she's blasting Chief K…" 53:27 . Andrew notes the show was largely shot in LA with a few days at TGL in Florida for the golf sequences. The hosts are clearly proud of their friend and make an explicit plug for the show.
Bobby never checks a bag — for any trip, including Australia. His secret: one pair of raw denim jeans (to develop a fade), sardine cans as in-flight snacks, and a Klingon hunting knife on his keychain. Andrew questions everything. Jimmy suggests he just check a bag for two weeks.
Jimmy Tatro noted that The Hawk on Netflix is Will Ferrell's first TV series where he is the lead, despite Ferrell's long movie career.
The entire plot of the original Terminator film depends on the phone book. The Terminator looks up 'Sarah Connor,' finds multiple listings, and starts killing them one by one. No phone book, no movie.
Rico has already appeared in Den of Thieves, Den of Thieves 2, and Roadhouse alongside Jake Gyllenhaal and Dave Bautista. Jason Statham is developing a specific role for him. Working alongside elite actors taught Rico something about himself: the emotional suppression that makes him a great fighter is exactly the material that makes great acting — if he learns to stop pushing it away.
Trump joked that Health Secretary Robert F. Kennedy Jr. personally ran over, butchered, and delivered the evening's beef tenderloin to the dinner — then topped it with a punchline about RFK wanting to serve raccoon roadkill as an appetizer. The crowd's laughter at jokes targeting his own administration signaled a rare night of good-natured self-deprecation from Trump.
Alan Ritchson walked into a Thor audition with his sides still in his hand, half-assed it on a spotlight-lit stage before two silhouettes in a dark theater, and bombed so completely that the casting director broke protocol to call his team. The feedback? He had no craft. That one sentence sent him to acting school — and changed the trajectory of everything.
Alan Ritchson walked out of his Titans audition so sure he'd booked the lead that he called his wife and told her he was going to buy a Tesla. She said he hadn't booked it. He went and bought the car anyway. His instincts were right — he was offered the role — just not the one he wanted.
Reacher drew 56 million global viewers in a single week of Season 2. Alan Ritchson points out what makes it unusual: unlike ensemble shows, almost all of that visibility lands on one person. It's an anthology with a rotating cast built around a single titular character — and the scale of it is something even he calls unprecedented.
Motor City has no spoken dialogue. Every major leading man in Hollywood — Jake Gyllenhaal, Hugh Jackman, Gerard Butler, Adrian Brody — was attached at some point. It was greenlit nine times. The concept was simple: Greg Silverman wanted a film everyone in the world could watch with the exact same experience, regardless of language. Alan Ritchson read the script and called it a masterpiece.
Working with Arnold Schwarzenegger showed Alan Ritchson what 100% recognition looks like. People feel Schwarzenegger before they see him — like a meteor approaching. Alan's wife wants a strict no-photos policy around family. Arnold stops for everyone. The contrast was a master class in how gratitude should manifest when fame is inescapable.
The Odyssey grossed $265 million in its first week — Nolan's biggest opening. Devindra saw it three times, including in 70mm IMAX. The panel cheers it as proof that human storytelling, a 3,000-year-old story told on 70mm film, is still the most powerful medium in the world.
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