The entire plot of the original Terminator film depends on the phone book. The Terminator looks up 'Sarah Connor,' finds multiple listings, and starts killing them one by one. No phone book, no movie.
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At 7:38 · chapter starts 6:10
The conversation shifts to the lived experience of using the White Pages when you only had a name to go on. Josh recalls calling every 'Josh Clark' in the phone book until he found the one he was looking for — and the people on the other end would simply say, 'That's a different guy, sorry.' It was a social contract everyone understood. Josh then draws the connection to The Terminator, pointing out that the film's entire plot depends on this exact behavior: the Terminator looks up 'Sarah Connor,' finds multiple listings, and works through them systematically [1] — Josh Clark "The entire plot of the original Terminator film depends on the phone book. The Terminator looks up 'Sarah Connor,' finds multiple listings,…" 07:38 . Chuck and Josh then land on the 'A1' naming revelation: businesses called themselves 'A1 Plumber' or 'A1 Florist' to appear first alphabetically in their Yellow Pages category — a form of gaming the system that pre-dated search engine optimization by decades. Chuck jokes that they should have called the podcast 'A1 Stuff You Should Know.'
Before caller ID and social media, if you knew someone's name but not their number, you'd call every listing with that name until you found the right one. The hosts remember doing exactly this — and people on the other end understood completely.
The first phone directory was published in 1878 in New Haven, Connecticut, listing about 50 subscribers on a single piece of paper.
The first phone directory in 1878 fit 50 names on a single sheet. Within a century, the New York City phone book had grown so large it was published in multiple volumes. The arc of that growth tracks the entire history of American telecommunications.
Rico has already appeared in Den of Thieves, Den of Thieves 2, and Roadhouse alongside Jake Gyllenhaal and Dave Bautista. Jason Statham is developing a specific role for him. Working alongside elite actors taught Rico something about himself: the emotional suppression that makes him a great fighter is exactly the material that makes great acting — if he learns to stop pushing it away.
Trump joked that Health Secretary Robert F. Kennedy Jr. personally ran over, butchered, and delivered the evening's beef tenderloin to the dinner — then topped it with a punchline about RFK wanting to serve raccoon roadkill as an appetizer. The crowd's laughter at jokes targeting his own administration signaled a rare night of good-natured self-deprecation from Trump.
Jimmy Tatro is playing the nemesis-son to Will Ferrell's washed-up golfer in The Hawk, his fifth project with Ferrell and Ferrell's first lead TV series. The real highlight: Molly Shannon, playing his on-screen mother, drove off set on the last day with Chief Keef blasting from her subwoofers.
Alan Ritchson walked into a Thor audition with his sides still in his hand, half-assed it on a spotlight-lit stage before two silhouettes in a dark theater, and bombed so completely that the casting director broke protocol to call his team. The feedback? He had no craft. That one sentence sent him to acting school — and changed the trajectory of everything.
Alan Ritchson walked out of his Titans audition so sure he'd booked the lead that he called his wife and told her he was going to buy a Tesla. She said he hadn't booked it. He went and bought the car anyway. His instincts were right — he was offered the role — just not the one he wanted.
Reacher drew 56 million global viewers in a single week of Season 2. Alan Ritchson points out what makes it unusual: unlike ensemble shows, almost all of that visibility lands on one person. It's an anthology with a rotating cast built around a single titular character — and the scale of it is something even he calls unprecedented.
Motor City has no spoken dialogue. Every major leading man in Hollywood — Jake Gyllenhaal, Hugh Jackman, Gerard Butler, Adrian Brody — was attached at some point. It was greenlit nine times. The concept was simple: Greg Silverman wanted a film everyone in the world could watch with the exact same experience, regardless of language. Alan Ritchson read the script and called it a masterpiece.
Working with Arnold Schwarzenegger showed Alan Ritchson what 100% recognition looks like. People feel Schwarzenegger before they see him — like a meteor approaching. Alan's wife wants a strict no-photos policy around family. Arnold stops for everyone. The contrast was a master class in how gratitude should manifest when fame is inescapable.
The Odyssey grossed $265 million in its first week — Nolan's biggest opening. Devindra saw it three times, including in 70mm IMAX. The panel cheers it as proof that human storytelling, a 3,000-year-old story told on 70mm film, is still the most powerful medium in the world.
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