Amy Adams grew up on Star Wars and landed a cameo in the new Ryan Gosling film. On her first day, the lifelong fangirl completely froze — she forgot how to act. Becoming a professional while simultaneously being a kid who grew up loving the franchise was harder than any role she's prepared for.
Where this was said
At 37:20 · chapter starts 35:30
Will drops the news that Amy has just wrapped a cameo in the new Star Wars film with Ryan Gosling. Sean excitedly reveals he and Jason visited the set at Shawn Levy's invitation for a day. Amy jokes that she had a small part, and her first day was professionally humbling: she was so overwhelmed by being on a Star Wars set — a franchise she grew up on — that she forgot how to act. Combining lifelong fangirl with professional actress in real time was harder than any role she'd prepared for. She says the sets were real enough to 'get the feels,' and that Shawn Levy was infectiously enthusiastic and kind. She also connects Levy back to Arrival, noting he was a producer on that film and that she'd worked with him previously on Night at the Museum.
Robby Hoffman isn't fearless — she's terrified all the time. The difference is she does it anyway, because not doing it feels worse than the fear itself.
John Mulaney texted Robby Hoffman out of nowhere saying he'd been a fan for a while and wanted to make a Netflix special with her. Robby called it 'shocking, horrifying, anxiety-inducing, surreal and thrilling' — and said yes.
Mulaney is buttoned-up, suit-wearing, classy. Robby is gritty, raw, and undefined. Together they made the collab nobody expected. Batman and Robin. Eminem and Dido.
Music had Pope Gregory forcing notation. Comedy has had 'magical thinking' — he's just got funny bones. But jokes work through discoverable, teachable mechanics. Writing down the rules doesn't kill the magic; it gives more people access to it.
Howard Ashman had one insight nobody else had: animated Disney films should be Broadway musicals. The third song of every great musical is the character sitting alone explaining what they want. That's 'Part of Your World.' That structure — combined with Alan Menken's compositions — generated Beauty and the Beast, Aladdin, and The Lion King, and turned Disney Animation into the most profitable creative engine in entertainment history.
The Lion King musical has been running for 30 years across Broadway, London's West End, and global touring companies. It has grossed over $11 billion in total revenue — more than Avatar, more than Avengers: Endgame, more than any album, more than any video game. It generates an average of $350 million in revenue every single year. Disney owns it outright.
The anonymous French artist Invader has hidden 1,500 pixelated mosaic artworks across Paris alone, with thousands more scattered across 80+ cities — affixed to the Eiffel Tower, the Hollywood sign, and even sent to the International Space Station. He might be even busier than Banksy.
The Flash Invaders app turns city streets into a treasure hunt, letting players scan Invader's hidden mosaics for points. Players have collectively logged over 47 million flashes. Unlike most mobile games that glue you to a screen, this one forces you to look up and engage with your surroundings.
New York draws thousands of young, talented performers every year chasing Broadway stardom — but the hard truth is that most of them never make it. Zelig Williams was one of the rare exceptions.
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