Spielberg invented a solution to nervous auditioners: invite everyone to cook together in a kitchen. Starting with Raiders of the Lost Ark, actors who came in covered in flour and fumbling with eggs instantly became their best, most relaxed selves.
Spielberg invented a solution to nervous auditioners: invite everyone to cook together in a kitchen. Starting with Raiders of the Lost Ark, actors who came in covered in flour and fumbling with eggs instantly became their best, most relaxed selves.
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At 6:55 · chapter starts 2:45
Steven Spielberg's appearance on Good Hang is immediately warm and self-deprecating — he jokes he needs 'a few more hits' before he deserves a spot on the show. He tells the story of being in the audience at the very first SNL broadcast in October 1975, just months after Jaws had made him famous, and how Belushi dragged him backstage to meet Aykroyd. [1] — Steven Spielberg "Jaws had just come out in June 1975. By October, Spielberg was sitting in the audience at the very first SNL broadcast, knowing something g…" 04:04 He then describes the first time he met Colman Domingo: while casting a film about the creation of Porgy and Bess and searching for someone to play Todd Duncan, Domingo walked into the room and Spielberg immediately intended to cast him. The Porgy film was never made, but Spielberg remembered Domingo and later cast him as Private Greene in Lincoln.
Steven Spielberg was in the audience for the very first episode of Saturday Night Live in October 1975, just months after Jaws had come out.
Jaws had just come out in June 1975. By October, Spielberg was sitting in the audience at the very first SNL broadcast, knowing something generational was happening. After the show, John Belushi dragged him backstage to meet Dan Aykroyd, launching a lifelong love of stand-up and comedians.
Steven Spielberg devised a method of holding auditions in a kitchen while cooking together, starting with Raiders of the Lost Ark, to put nervous actors at ease.
Robby Hoffman isn't fearless — she's terrified all the time. The difference is she does it anyway, because not doing it feels worse than the fear itself.
John Mulaney texted Robby Hoffman out of nowhere saying he'd been a fan for a while and wanted to make a Netflix special with her. Robby called it 'shocking, horrifying, anxiety-inducing, surreal and thrilling' — and said yes.
Mulaney is buttoned-up, suit-wearing, classy. Robby is gritty, raw, and undefined. Together they made the collab nobody expected. Batman and Robin. Eminem and Dido.
Music had Pope Gregory forcing notation. Comedy has had 'magical thinking' — he's just got funny bones. But jokes work through discoverable, teachable mechanics. Writing down the rules doesn't kill the magic; it gives more people access to it.
Howard Ashman had one insight nobody else had: animated Disney films should be Broadway musicals. The third song of every great musical is the character sitting alone explaining what they want. That's 'Part of Your World.' That structure — combined with Alan Menken's compositions — generated Beauty and the Beast, Aladdin, and The Lion King, and turned Disney Animation into the most profitable creative engine in entertainment history.
The Lion King musical has been running for 30 years across Broadway, London's West End, and global touring companies. It has grossed over $11 billion in total revenue — more than Avatar, more than Avengers: Endgame, more than any album, more than any video game. It generates an average of $350 million in revenue every single year. Disney owns it outright.
The anonymous French artist Invader has hidden 1,500 pixelated mosaic artworks across Paris alone, with thousands more scattered across 80+ cities — affixed to the Eiffel Tower, the Hollywood sign, and even sent to the International Space Station. He might be even busier than Banksy.
The Flash Invaders app turns city streets into a treasure hunt, letting players scan Invader's hidden mosaics for points. Players have collectively logged over 47 million flashes. Unlike most mobile games that glue you to a screen, this one forces you to look up and engage with your surroundings.
New York draws thousands of young, talented performers every year chasing Broadway stardom — but the hard truth is that most of them never make it. Zelig Williams was one of the rare exceptions.
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