Greta Lee performed La Bête on the West End alongside Mark Rylance. The play was in iambic pentameter, set in 16th-century France, and her character could only speak words that rhymed with 'blue.' This is an actual thing that happened.
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At 48:15 · chapter starts 47:40
Amy brings up the Old Soul pilot — a project with Natasha Lyonne and a stacked cast including Fred Willard, Rita Moreno, Alan Arkin, Marla Gibbs, and Richard Benjamin — that never got picked up. Greta's clearest memory: Rita Moreno pulling her aside to say she was on her phone too much. She still thinks about it, even though she considers herself far from addicted. From there, Amy and Greta excavate the Sisters shoot: a sinkhole set that was built indoors with real plants that began to decompose and smell, and tiny plywood 'doghouse' boxes where supporting players like Kate McKinnon, Bobby Moynihan, John Glaser, and Greta would sit and wait for weeks. Amy jokes that she spent her time angling to get her character written out of the sinkhole entirely.
On the set of an Amy Poehler pilot with Rita Moreno, Greta Lee received unsolicited phone-usage feedback from the Hollywood legend — and says she thinks about it to this day, even though she barely considers herself phone-addicted.
In the West End play La Bête with Mark Rylance, set in 16th-century France in iambic pentameter, Greta Lee's character could only speak words that rhymed with 'blue.'
During the Sisters shoot, supporting cast members — including Kate McKinnon, Bobby Moynihan, and Greta Lee — were housed in tiny plywood boxes on a soundstage built around a fake sinkhole that began to smell and decompose. Nobody asked them to do anything for weeks.
Greta Lee spent roughly five years working the Momofuku restaurant floor while bouncing in and out of acting jobs. That extreme multitasking — being 'in the weeds' every night — is exactly what performing on set demands, just with a different kind of chaos.
Robby Hoffman isn't fearless — she's terrified all the time. The difference is she does it anyway, because not doing it feels worse than the fear itself.
John Mulaney texted Robby Hoffman out of nowhere saying he'd been a fan for a while and wanted to make a Netflix special with her. Robby called it 'shocking, horrifying, anxiety-inducing, surreal and thrilling' — and said yes.
Mulaney is buttoned-up, suit-wearing, classy. Robby is gritty, raw, and undefined. Together they made the collab nobody expected. Batman and Robin. Eminem and Dido.
Music had Pope Gregory forcing notation. Comedy has had 'magical thinking' — he's just got funny bones. But jokes work through discoverable, teachable mechanics. Writing down the rules doesn't kill the magic; it gives more people access to it.
Howard Ashman had one insight nobody else had: animated Disney films should be Broadway musicals. The third song of every great musical is the character sitting alone explaining what they want. That's 'Part of Your World.' That structure — combined with Alan Menken's compositions — generated Beauty and the Beast, Aladdin, and The Lion King, and turned Disney Animation into the most profitable creative engine in entertainment history.
The Lion King musical has been running for 30 years across Broadway, London's West End, and global touring companies. It has grossed over $11 billion in total revenue — more than Avatar, more than Avengers: Endgame, more than any album, more than any video game. It generates an average of $350 million in revenue every single year. Disney owns it outright.
The anonymous French artist Invader has hidden 1,500 pixelated mosaic artworks across Paris alone, with thousands more scattered across 80+ cities — affixed to the Eiffel Tower, the Hollywood sign, and even sent to the International Space Station. He might be even busier than Banksy.
The Flash Invaders app turns city streets into a treasure hunt, letting players scan Invader's hidden mosaics for points. Players have collectively logged over 47 million flashes. Unlike most mobile games that glue you to a screen, this one forces you to look up and engage with your surroundings.
New York draws thousands of young, talented performers every year chasing Broadway stardom — but the hard truth is that most of them never make it. Zelig Williams was one of the rare exceptions.
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