Podbit · Last Podcast On The Left
The LPOTL crew can barely keep it together before Stephen King and Joe Hill even say a word. This is the Father's Day special that validates years of horror fandom.
Where this was said
At 1:40 · chapter starts 1:10
The three LPOTL hosts — Marcus Parks, Henry Zabrowski, and Ben Kissel — open with the giddy energy of superfans who can't quite believe their luck. They call Stephen King the 'white unicorn' of podcast guests, a term they immediately escalate to 'pink unicorn' for Henry's personal branding. The backstory lands quickly: Joe Hill was on a few months prior and the interview went so well that he came back for Father's Day and brought his father. Marcus frames Stephen King not just as a horror author but as 'one of the cultural voices of the 20th century,' a man who helped create the century culturally. The energy is more victory lap than professional composure.
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Robby Hoffman isn't fearless — she's terrified all the time. The difference is she does it anyway, because not doing it feels worse than the fear itself.
John Mulaney texted Robby Hoffman out of nowhere saying he'd been a fan for a while and wanted to make a Netflix special with her. Robby called it 'shocking, horrifying, anxiety-inducing, surreal and thrilling' — and said yes.
Mulaney is buttoned-up, suit-wearing, classy. Robby is gritty, raw, and undefined. Together they made the collab nobody expected. Batman and Robin. Eminem and Dido.
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Howard Ashman had one insight nobody else had: animated Disney films should be Broadway musicals. The third song of every great musical is the character sitting alone explaining what they want. That's 'Part of Your World.' That structure — combined with Alan Menken's compositions — generated Beauty and the Beast, Aladdin, and The Lion King, and turned Disney Animation into the most profitable creative engine in entertainment history.
The Lion King musical has been running for 30 years across Broadway, London's West End, and global touring companies. It has grossed over $11 billion in total revenue — more than Avatar, more than Avengers: Endgame, more than any album, more than any video game. It generates an average of $350 million in revenue every single year. Disney owns it outright.
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The Flash Invaders app turns city streets into a treasure hunt, letting players scan Invader's hidden mosaics for points. Players have collectively logged over 47 million flashes. Unlike most mobile games that glue you to a screen, this one forces you to look up and engage with your surroundings.
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