Jackie Oshry, who describes herself as 'very hard on Olivia Rodrigo,' says the new album is exceptional and sounds genuinely different from everything else out right now. But she still thinks Noah Kahan's album will take album of the year — especially his song about his mother.
Where this was said
At 38:50 · chapter starts 32:22
Between the major stories, Jackie mentions that Love Island's Jesse Draper is now apparently in a full relationship with Marciano Brunet, the cast member who tried to smear her name and blackmailed her. Claudia entertains the 'what if they're OTP' angle; Jackie is having none of it. Michaela Matthews is already clowning on them publicly. The conversation pivots to music when Jackie admits she's been hard on Olivia Rodrigo but found the new album genuinely exceptional — 'a masterpiece' with a sound that feels distinct from everything else out right now. She still thinks Noah Kahan will win album of the year, particularly citing his devastating song about his mother, before Claudia gets emotional over the AI-generated viral 'San Juan' song and the pair descend into a delightful tangent about making their own AI theme song.
TMZ sources say Taylor Frankie Paul's Bachelorette season is being discussed for a mid-July premiere on ABC, though plans are not yet locked.
TMZ sources say Taylor Frankie Paul's Bachelorette season is being discussed for a mid-July premiere on ABC. A key tell: editors working on the show never stopped cutting episodes after it was pulled from the schedule, signaling the network kept the door open. Claudia and Jackie debate whether airing it will help Taylor 'get it together.'
Reggae didn't emerge from thin air — it was built layer by layer from mento in the 1940s, ska in the late 1950s, and rocksteady in the mid-1960s. Each stage absorbed new influences, from transistor radios picking up Miami R&B to the distinctive 2-and-4 rhythmic accent that defines the genre.
Before hip-hop existed, Jamaican DJs were already doing it. Electricity spreading across Jamaica enabled mobile 'sound systems,' and DJs developed toasting — speaking and singing over recorded music — a tradition that DJ Kool Herc brought from Kingston to the Bronx at age 12.
Joe Higgs is reggae's great unsung hero. This Kingston musician took teenage Bob Marley, Peter Tosh, and Bunny Wailer under his wing and taught them how to sing, write songs, and make music — at a time when most artists would have focused on their own careers. Without him, the Wailers probably just would have sucked.
Reggae archivist Roger Steffens' analogy says it all: Bob Marley was reggae's Martin Luther King Jr., making the music universally palatable; Peter Tosh was its Malcolm X, inserting fierce militant political energy. Together, they gave the Wailers a depth no single voice could achieve alone.
King Tubby built his own hardware from cast-off recording gear to strip vocals and create dubbed-out instrumental reggae — essentially inventing electronic music in Kingston before Kraftwerk did it in Germany. The dubplate he created became the raw material for DJs to toast over, seeding hip-hop.
Two days before the 1976 Smile Jamaica anti-violence concert, gunmen shot Bob Marley in the chest and shoulder, shot Rita Marley, and wounded two others. He showed up and played anyway. The concert had already drawn accusations that Marley was a tool of the PNP government — a charge that frustrated him deeply.
Peter Tosh's killer was a man Tosh had taken in after prison, giving him shelter and food. The man repaid that generosity by holding Tosh hostage, torturing him for money, and shooting him in the head. It is one of the most brutal betrayals in music history.
The Windrush Generation brought Caribbean music to London after World War II, and reggae's 2-and-4 rhythm lodged itself deep in British culture — giving birth to ska bands like The Specials, pop acts like UB40, and even punk. Johnny Rotten was a reggae fan, and Public Image Limited has the dub influence to prove it.
Reggaetón didn't come from nowhere. It emerged from underground Spanish-language reggae-rap scenes in Panama and Puerto Rico, drawing directly on Jamaican reggae's rhythms and attitude. The line from Kingston to Bad Bunny's Super Bowl performance is a straight one.
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