Podbit · Last Podcast On The Left
Henry and Ed close the episode by celebrating drag as the last surviving art form that demands the old-school showbiz triple threat — performance, presence, and craft. Jinkx Monsoon is winning Tonys. Alaska Thunderfuck is dropping singles. And there is not one drag queen on the Epstein list.
Where this was said
At 1:18:40 · chapter starts 1:16:35
In a surprising personal disclosure, Alaska reveals that a recent trip to St. Thomas — a vacation with her mother at a friend's property — put her in direct visual range of Jeffrey Epstein's infamous island. She describes the renovations: the previously distinctive blue-and-white structure has been repainted a nondescript beige, and the gold pyramid-topped structure has been removed entirely. Her read on the renovation: 'Maybe no one will know.' Henry and Ed immediately begin pitching a show concept where Alaska jet-skis to the island and becomes the first drag queen ever to visit it. Henry links this back to his recurring argument that there is not a single drag queen on the Epstein client list — the people who attended that island were wealthy powerful men, not performers in heels.
Alaska Thunderfuck 5000 reported that Jeffrey Epstein's private island, visible from St. Thomas, has had its distinctive blue-and-white building repainted beige and the gold pyramid removed.
Steven Pressfield's insight: don't wait for the commitment to feel real before acting like a professional. Set up the studio. Make the schedule. Show up. Commitment doesn't precede action — it follows it. You act like a pro first, and your brain catches up with justifications after. The action is the commitment.
Robby Hoffman isn't fearless — she's terrified all the time. The difference is she does it anyway, because not doing it feels worse than the fear itself.
John Mulaney texted Robby Hoffman out of nowhere saying he'd been a fan for a while and wanted to make a Netflix special with her. Robby called it 'shocking, horrifying, anxiety-inducing, surreal and thrilling' — and said yes.
Mulaney is buttoned-up, suit-wearing, classy. Robby is gritty, raw, and undefined. Together they made the collab nobody expected. Batman and Robin. Eminem and Dido.
Music had Pope Gregory forcing notation. Comedy has had 'magical thinking' — he's just got funny bones. But jokes work through discoverable, teachable mechanics. Writing down the rules doesn't kill the magic; it gives more people access to it.
Howard Ashman had one insight nobody else had: animated Disney films should be Broadway musicals. The third song of every great musical is the character sitting alone explaining what they want. That's 'Part of Your World.' That structure — combined with Alan Menken's compositions — generated Beauty and the Beast, Aladdin, and The Lion King, and turned Disney Animation into the most profitable creative engine in entertainment history.
The Lion King musical has been running for 30 years across Broadway, London's West End, and global touring companies. It has grossed over $11 billion in total revenue — more than Avatar, more than Avengers: Endgame, more than any album, more than any video game. It generates an average of $350 million in revenue every single year. Disney owns it outright.
The anonymous French artist Invader has hidden 1,500 pixelated mosaic artworks across Paris alone, with thousands more scattered across 80+ cities — affixed to the Eiffel Tower, the Hollywood sign, and even sent to the International Space Station. He might be even busier than Banksy.
The Flash Invaders app turns city streets into a treasure hunt, letting players scan Invader's hidden mosaics for points. Players have collectively logged over 47 million flashes. Unlike most mobile games that glue you to a screen, this one forces you to look up and engage with your surroundings.
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