The 1990s were the last time artistic ambition and box-office economics aligned in Hollywood. Hanks argues that window is closed — sequels and franchises have replaced the one-off originals that defined an era.
Podbit · The Rest Is Entertainment
The 1990s were the last time artistic ambition and box-office economics aligned in Hollywood. Hanks argues that window is closed — sequels and franchises have replaced the one-off originals that defined an era.
Where this was said
At 14:15 · chapter starts 12:25
Marina Hyde asks whether the shared cultural experiences that films like Toy Story create are becoming harder to produce in a fractured, algorithmically-sorted media landscape. Hanks acknowledges the challenge but pushes back on any simplistic pessimism. He argues that while entertainment can now be consumed in three-minute increments all day, the power of an experience shared with 200 strangers in the same room — or talked about by millions simultaneously — will never disappear. It just becomes rarer. In a moment of inspired wordplay, Hanks coins 'Grand Unifying Moments' — GUMs — to describe these rare cultural events that bind everyone across age, language, and culture. [1] — Tom Hanks "Grand Unifying Moments (GUMs): Tom Hanks coined the term 'Grand Unifying Moments' (GUMs) to describe the increasingly rare cultural events …" 13:00 Richard Osman immediately abbreviates it to GUMP, which Hanks calls a 'not bad example' of exactly that phenomenon.
Tom Hanks coined the term 'Grand Unifying Moments' (GUMs) to describe the increasingly rare cultural events that bind everyone together regardless of age, culture, or language.
Robby Hoffman isn't fearless — she's terrified all the time. The difference is she does it anyway, because not doing it feels worse than the fear itself.
John Mulaney texted Robby Hoffman out of nowhere saying he'd been a fan for a while and wanted to make a Netflix special with her. Robby called it 'shocking, horrifying, anxiety-inducing, surreal and thrilling' — and said yes.
Mulaney is buttoned-up, suit-wearing, classy. Robby is gritty, raw, and undefined. Together they made the collab nobody expected. Batman and Robin. Eminem and Dido.
Music had Pope Gregory forcing notation. Comedy has had 'magical thinking' — he's just got funny bones. But jokes work through discoverable, teachable mechanics. Writing down the rules doesn't kill the magic; it gives more people access to it.
Howard Ashman had one insight nobody else had: animated Disney films should be Broadway musicals. The third song of every great musical is the character sitting alone explaining what they want. That's 'Part of Your World.' That structure — combined with Alan Menken's compositions — generated Beauty and the Beast, Aladdin, and The Lion King, and turned Disney Animation into the most profitable creative engine in entertainment history.
The Lion King musical has been running for 30 years across Broadway, London's West End, and global touring companies. It has grossed over $11 billion in total revenue — more than Avatar, more than Avengers: Endgame, more than any album, more than any video game. It generates an average of $350 million in revenue every single year. Disney owns it outright.
The anonymous French artist Invader has hidden 1,500 pixelated mosaic artworks across Paris alone, with thousands more scattered across 80+ cities — affixed to the Eiffel Tower, the Hollywood sign, and even sent to the International Space Station. He might be even busier than Banksy.
The Flash Invaders app turns city streets into a treasure hunt, letting players scan Invader's hidden mosaics for points. Players have collectively logged over 47 million flashes. Unlike most mobile games that glue you to a screen, this one forces you to look up and engage with your surroundings.
New York draws thousands of young, talented performers every year chasing Broadway stardom — but the hard truth is that most of them never make it. Zelig Williams was one of the rare exceptions.
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