Harry Hill's adult children dressed as characters from his live show and appeared on stage at Shepherd's Bush. When his daughter took his hand inside a Gary costume, he knew it was her just by the feel — a moment he describes as 'really affecting and sweet'.
Josh Widdicombe recalls a detail that stuck with him from Harry Hill's first podcast appearance: Harry wasn't sure about having a third child, but came to regard the decision as the best he ever made. Harry elaborates on why — the sheer chaos of having two children just one year apart, the Irish twins double pram situation, attempting to navigate automatic doors with a side-by-side pram while the door kept closing on you.[1]— Harry Hill"Harry Hill described the chaos of having two children just one year apart — the 'Irish twins' situation — navigating automatic doors with a…"11:35 Rob Beckett notes that the under-pram child in a tandem buggy gets a raw deal, staring at the back of the pram ahead. The conversation then moves to Harry's recent live tour at Shepherd's Bush, where all three of his adult children appeared on stage dressed as characters from the show. His daughter Freddy was inside a Gary costume. She came on stage and took his hand, and — without being able to see her face — Harry knew instantly from the feel of her hand that it was her. He describes it as 'really affecting and sweet', and the genuine emotion in the moment stands out clearly against the comedy of the surrounding conversation.
Robby Hoffman isn't fearless — she's terrified all the time. The difference is she does it anyway, because not doing it feels worse than the fear itself.
John Mulaney texted Robby Hoffman out of nowhere saying he'd been a fan for a while and wanted to make a Netflix special with her. Robby called it 'shocking, horrifying, anxiety-inducing, surreal and thrilling' — and said yes.
Mulaney is buttoned-up, suit-wearing, classy. Robby is gritty, raw, and undefined. Together they made the collab nobody expected. Batman and Robin. Eminem and Dido.
Music had Pope Gregory forcing notation. Comedy has had 'magical thinking' — he's just got funny bones. But jokes work through discoverable, teachable mechanics. Writing down the rules doesn't kill the magic; it gives more people access to it.
Howard Ashman had one insight nobody else had: animated Disney films should be Broadway musicals. The third song of every great musical is the character sitting alone explaining what they want. That's 'Part of Your World.' That structure — combined with Alan Menken's compositions — generated Beauty and the Beast, Aladdin, and The Lion King, and turned Disney Animation into the most profitable creative engine in entertainment history.
The Lion King musical has been running for 30 years across Broadway, London's West End, and global touring companies. It has grossed over $11 billion in total revenue — more than Avatar, more than Avengers: Endgame, more than any album, more than any video game. It generates an average of $350 million in revenue every single year. Disney owns it outright.
The anonymous French artist Invader has hidden 1,500 pixelated mosaic artworks across Paris alone, with thousands more scattered across 80+ cities — affixed to the Eiffel Tower, the Hollywood sign, and even sent to the International Space Station. He might be even busier than Banksy.
The Flash Invaders app turns city streets into a treasure hunt, letting players scan Invader's hidden mosaics for points. Players have collectively logged over 47 million flashes. Unlike most mobile games that glue you to a screen, this one forces you to look up and engage with your surroundings.
New York draws thousands of young, talented performers every year chasing Broadway stardom — but the hard truth is that most of them never make it. Zelig Williams was one of the rare exceptions.
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