In 2004-2005, a young Nate Bargatze watched Dave Chappelle walk into a near-empty room at the Boston Comedy Club, still in TV makeup, and casually destroy a crowd of 8 people. It set the template: see the path, then follow it.
Podbit · New Heights with Jason & Travis Kelce
In 2004-2005, a young Nate Bargatze watched Dave Chappelle walk into a near-empty room at the Boston Comedy Club, still in TV makeup, and casually destroy a crowd of 8 people. It set the template: see the path, then follow it.
Where this was said
At 1:30:00 · chapter starts 1:26:20
Nate says his first SNL hosting was the better experience — the thrill of the unknown, the commitment required, seeing it all fresh. The colorblindness revelation gets the biggest laugh: he kept reading Heidi Gardner's green-inked lines because he couldn't distinguish them from his own black-inked ones, and the polite cast just kept going. For his 'welcome to comedy' moment, Nate describes the Boston Comedy Club in New York around 2004-2005: Dave Chappelle walking in mid-Chappelle's Show peak, TV makeup still on, sitting with 8 people and destroying. Following Chappelle was the real education — the crowd is gone, night is over, you're bombing no matter what. Nate also cites watching Bill Burr's career arc and Patrice O'Neal as formative. [1] — Nate Bargatze "Nate Bargatze is colorblind. During his SNL hosting stint, he kept reading his co-star Heidi Gardner's lines because he couldn't distinguis…" 1:27:15 [2] — Nate Bargatze "In 2004-2005, a young Nate Bargatze watched Dave Chappelle walk into a near-empty room at the Boston Comedy Club, still in TV makeup, and c…" 1:30:00
Nate Bargatze is colorblind. During his SNL hosting stint, he kept reading his co-star Heidi Gardner's lines because he couldn't distinguish the black and green ink on the script. He couldn't figure out why nothing made sense — until he finally realized what was happening.
Nate Bargatze is colorblind and during his SNL hosting stint he kept reading co-star Heidi Gardner's lines because he couldn't distinguish the colors on the script.
Nate Bargatze partnered with theaters to offer reduced-price 'Nate Rate' tickets for his movie The Breadwinner to make it accessible for whole families.
Robby Hoffman isn't fearless — she's terrified all the time. The difference is she does it anyway, because not doing it feels worse than the fear itself.
John Mulaney texted Robby Hoffman out of nowhere saying he'd been a fan for a while and wanted to make a Netflix special with her. Robby called it 'shocking, horrifying, anxiety-inducing, surreal and thrilling' — and said yes.
Mulaney is buttoned-up, suit-wearing, classy. Robby is gritty, raw, and undefined. Together they made the collab nobody expected. Batman and Robin. Eminem and Dido.
Music had Pope Gregory forcing notation. Comedy has had 'magical thinking' — he's just got funny bones. But jokes work through discoverable, teachable mechanics. Writing down the rules doesn't kill the magic; it gives more people access to it.
Howard Ashman had one insight nobody else had: animated Disney films should be Broadway musicals. The third song of every great musical is the character sitting alone explaining what they want. That's 'Part of Your World.' That structure — combined with Alan Menken's compositions — generated Beauty and the Beast, Aladdin, and The Lion King, and turned Disney Animation into the most profitable creative engine in entertainment history.
The Lion King musical has been running for 30 years across Broadway, London's West End, and global touring companies. It has grossed over $11 billion in total revenue — more than Avatar, more than Avengers: Endgame, more than any album, more than any video game. It generates an average of $350 million in revenue every single year. Disney owns it outright.
The anonymous French artist Invader has hidden 1,500 pixelated mosaic artworks across Paris alone, with thousands more scattered across 80+ cities — affixed to the Eiffel Tower, the Hollywood sign, and even sent to the International Space Station. He might be even busier than Banksy.
The Flash Invaders app turns city streets into a treasure hunt, letting players scan Invader's hidden mosaics for points. Players have collectively logged over 47 million flashes. Unlike most mobile games that glue you to a screen, this one forces you to look up and engage with your surroundings.
New York draws thousands of young, talented performers every year chasing Broadway stardom — but the hard truth is that most of them never make it. Zelig Williams was one of the rare exceptions.
We use essential and analytics cookies to run Vuci. To understand how the site is used: Privacy Policy.
Install Vuci on your phone
Add it to your home screen for a faster, app-like experience.
Install Vuci on your phone
Tap the Share button, then “Add to Home Screen”.
A new version is available
Reload to get the latest Vuci.