Johnny Knoxville became so obsessed with filming Jackass Number 2 that he ran into stop signs on weekends with a camera crew until the cast staged an intervention. The film is probably the cast's favorite — everyone was on their absolute worst behavior.
The closing segment has Jason and Travis thank both guest groups — the Ertzes and Knoxville — and direct listeners to follow the show @NewH1GHTSShow, check out Jackass: Best and Last in theaters June 26th, and subscribe to Julie Ertz's Style of Play podcast with Kealia Watt on Spotify. Travis offers a heartfelt note about the 92 percenters tuning in every week and credits the production team. The episode's final comedic beat comes courtesy of Knoxville himself, who sticks around long enough to roast Jason's shirt — comparing it to whorehouse drapes — which Jason gamely defends as 'the seasons getting brighter.' It's a light, fond close to a dense, three-segment episode.
Soccer predates American football by centuries and actually involves consistent use of feet — both Ertzes concede the point. Zach tries to defend American football but admits it's a tough argument in Europe.
Robby Hoffman isn't fearless — she's terrified all the time. The difference is she does it anyway, because not doing it feels worse than the fear itself.
John Mulaney texted Robby Hoffman out of nowhere saying he'd been a fan for a while and wanted to make a Netflix special with her. Robby called it 'shocking, horrifying, anxiety-inducing, surreal and thrilling' — and said yes.
Mulaney is buttoned-up, suit-wearing, classy. Robby is gritty, raw, and undefined. Together they made the collab nobody expected. Batman and Robin. Eminem and Dido.
Music had Pope Gregory forcing notation. Comedy has had 'magical thinking' — he's just got funny bones. But jokes work through discoverable, teachable mechanics. Writing down the rules doesn't kill the magic; it gives more people access to it.
Howard Ashman had one insight nobody else had: animated Disney films should be Broadway musicals. The third song of every great musical is the character sitting alone explaining what they want. That's 'Part of Your World.' That structure — combined with Alan Menken's compositions — generated Beauty and the Beast, Aladdin, and The Lion King, and turned Disney Animation into the most profitable creative engine in entertainment history.
The Lion King musical has been running for 30 years across Broadway, London's West End, and global touring companies. It has grossed over $11 billion in total revenue — more than Avatar, more than Avengers: Endgame, more than any album, more than any video game. It generates an average of $350 million in revenue every single year. Disney owns it outright.
The anonymous French artist Invader has hidden 1,500 pixelated mosaic artworks across Paris alone, with thousands more scattered across 80+ cities — affixed to the Eiffel Tower, the Hollywood sign, and even sent to the International Space Station. He might be even busier than Banksy.
The Flash Invaders app turns city streets into a treasure hunt, letting players scan Invader's hidden mosaics for points. Players have collectively logged over 47 million flashes. Unlike most mobile games that glue you to a screen, this one forces you to look up and engage with your surroundings.
New York draws thousands of young, talented performers every year chasing Broadway stardom — but the hard truth is that most of them never make it. Zelig Williams was one of the rare exceptions.
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