Running St John's Co-Cathedral means serving five masters at once: the Church, the Maltese government, a foundation council, the public, and history itself. Tonio Mallia describes the governance structure and how he navigates conflicting priorities.
Podbit · Jon Mallia Podcast
Running St John's Co-Cathedral means serving five masters at once: the Church, the Maltese government, a foundation council, the public, and history itself. Tonio Mallia describes the governance structure and how he navigates conflicting priorities.
Where this was said
At 1:13:19 · chapter starts 1:06:18
By 1798, the Order of St John was a shadow of its former self. Tonio explains that at the height of their power there were around 700 Knights in Malta; by the time Napoleon arrived, that number had fallen to roughly 300. [1] — Tonio Mallia "When Napoleon arrived in 1798, the Knights had about 300 members left — and roughly half were French. Fighting France meant fighting themse…" 1:10:00 Of those, approximately 150 were French nationals — meaning that asking them to fight France was asking them to fight themselves. The remaining defence consisted of about 200 Portuguese soldiers and the Maltese militia, which Tonio bluntly describes as good people but not warriors. The negotiations were swift. The Knights left Malta and dispersed across Europe, their Order continuing to exist but stripped of its territorial base. The question of what happened next — the English takeover, the Church's role, the Foundation's eventual creation — bridges into the next phase of the conversation. Tonio also touches on the darker side of the late Knights' period: internal instability, financial difficulties, and growing irrelevance even before Napoleon appeared on the horizon.
When Napoleon arrived in 1798, the Knights had about 300 members left — and roughly half were French. Fighting France meant fighting themselves. The Maltese militia was not an army. The Knights negotiated, and Malta fell in days.
At the Order's height, there were around 700 Knights of St John in Malta; by the time Napoleon arrived in 1798 that number had fallen to around 300.
When Napoleon arrived, roughly half the remaining Knights — about 150 out of 300 — were French, making resistance against France practically impossible.
Robby Hoffman isn't fearless — she's terrified all the time. The difference is she does it anyway, because not doing it feels worse than the fear itself.
John Mulaney texted Robby Hoffman out of nowhere saying he'd been a fan for a while and wanted to make a Netflix special with her. Robby called it 'shocking, horrifying, anxiety-inducing, surreal and thrilling' — and said yes.
Mulaney is buttoned-up, suit-wearing, classy. Robby is gritty, raw, and undefined. Together they made the collab nobody expected. Batman and Robin. Eminem and Dido.
Music had Pope Gregory forcing notation. Comedy has had 'magical thinking' — he's just got funny bones. But jokes work through discoverable, teachable mechanics. Writing down the rules doesn't kill the magic; it gives more people access to it.
Howard Ashman had one insight nobody else had: animated Disney films should be Broadway musicals. The third song of every great musical is the character sitting alone explaining what they want. That's 'Part of Your World.' That structure — combined with Alan Menken's compositions — generated Beauty and the Beast, Aladdin, and The Lion King, and turned Disney Animation into the most profitable creative engine in entertainment history.
The Lion King musical has been running for 30 years across Broadway, London's West End, and global touring companies. It has grossed over $11 billion in total revenue — more than Avatar, more than Avengers: Endgame, more than any album, more than any video game. It generates an average of $350 million in revenue every single year. Disney owns it outright.
The anonymous French artist Invader has hidden 1,500 pixelated mosaic artworks across Paris alone, with thousands more scattered across 80+ cities — affixed to the Eiffel Tower, the Hollywood sign, and even sent to the International Space Station. He might be even busier than Banksy.
The Flash Invaders app turns city streets into a treasure hunt, letting players scan Invader's hidden mosaics for points. Players have collectively logged over 47 million flashes. Unlike most mobile games that glue you to a screen, this one forces you to look up and engage with your surroundings.
New York draws thousands of young, talented performers every year chasing Broadway stardom — but the hard truth is that most of them never make it. Zelig Williams was one of the rare exceptions.
We use essential and analytics cookies to run Vuci. To understand how the site is used: Privacy Policy.
Install Vuci on your phone
Add it to your home screen for a faster, app-like experience.
Install Vuci on your phone
Tap the Share button, then “Add to Home Screen”.
A new version is available
Reload to get the latest Vuci.