Modelling is often misunderstood. Jacqui started at 16 in Malta and quickly learned the unwritten rules: follow directions, wear the outfit, hold the pose — and for premium brands, absolutely do not smile. Seriousness sells luxury.
Podbit · Jon Mallia Podcast
Modelling is often misunderstood. Jacqui started at 16 in Malta and quickly learned the unwritten rules: follow directions, wear the outfit, hold the pose — and for premium brands, absolutely do not smile. Seriousness sells luxury.
Where this was said
At 46:00 · chapter starts 45:47
Jacqui was 16 when she entered her first modelling contest in Malta, beginning a parallel career that would run alongside her ballet training and later her television work [1] — Jacqui Losco "Most expensive brands = less smiling in modelling: Jacqui observed that in the modelling world, the more premium the brand, the less a mode…" 49:33 . She describes the professional side of modelling with characteristic directness: it is transactional and straightforward — a brief, a look, a pose. Hair and makeup, wear the clothes, hit the marks. What she found interesting was the aesthetic logic of the industry, particularly the luxury end: the more premium the brand, the less warmth is required. No smiling. Seriousness signals exclusivity. Jacqui found this fascinating rather than alienating, seeing it as a kind of performance in itself — the opposite of ballet's expressiveness but equally governed by precise rules. She also reflects on how modelling connected to broader questions of identity and image, themes she would later navigate more publicly as a television presenter and social media figure.
Jacqui entered her first modelling contest in Malta at age 16, starting with El Pink magazine.
Jacqui observed that in the modelling world, the more premium the brand, the less a model is expected to smile — seriousness signals luxury.
Jacqui refuses to pretend she is comfortable with ageing. She hates it — but she also knows it is universal and unstoppable. Her position is one of pragmatic resignation: get old together or get obsessed alone.
Jacqui said she hates ageing but accepts it as inevitable, viewing it pragmatically rather than with dread.
Steven Pressfield's insight: don't wait for the commitment to feel real before acting like a professional. Set up the studio. Make the schedule. Show up. Commitment doesn't precede action — it follows it. You act like a pro first, and your brain catches up with justifications after. The action is the commitment.
Robby Hoffman isn't fearless — she's terrified all the time. The difference is she does it anyway, because not doing it feels worse than the fear itself.
John Mulaney texted Robby Hoffman out of nowhere saying he'd been a fan for a while and wanted to make a Netflix special with her. Robby called it 'shocking, horrifying, anxiety-inducing, surreal and thrilling' — and said yes.
Mulaney is buttoned-up, suit-wearing, classy. Robby is gritty, raw, and undefined. Together they made the collab nobody expected. Batman and Robin. Eminem and Dido.
Music had Pope Gregory forcing notation. Comedy has had 'magical thinking' — he's just got funny bones. But jokes work through discoverable, teachable mechanics. Writing down the rules doesn't kill the magic; it gives more people access to it.
Howard Ashman had one insight nobody else had: animated Disney films should be Broadway musicals. The third song of every great musical is the character sitting alone explaining what they want. That's 'Part of Your World.' That structure — combined with Alan Menken's compositions — generated Beauty and the Beast, Aladdin, and The Lion King, and turned Disney Animation into the most profitable creative engine in entertainment history.
The Lion King musical has been running for 30 years across Broadway, London's West End, and global touring companies. It has grossed over $11 billion in total revenue — more than Avatar, more than Avengers: Endgame, more than any album, more than any video game. It generates an average of $350 million in revenue every single year. Disney owns it outright.
The anonymous French artist Invader has hidden 1,500 pixelated mosaic artworks across Paris alone, with thousands more scattered across 80+ cities — affixed to the Eiffel Tower, the Hollywood sign, and even sent to the International Space Station. He might be even busier than Banksy.
The Flash Invaders app turns city streets into a treasure hunt, letting players scan Invader's hidden mosaics for points. Players have collectively logged over 47 million flashes. Unlike most mobile games that glue you to a screen, this one forces you to look up and engage with your surroundings.
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