Where this was said
Working with Christopher Nolan on The Odyssey
At 59:50 · chapter starts 58:35
Will asks about The Odyssey and working with Nolan. Bernthal is immediately enthusiastic: Nolan is a man doing exactly what he was put on this earth to do, and watching that is a rare gift. Everyone warned him the shoot would be grueling — 8 months, 8 countries. Bernthal loved hearing it. What surprised him was a paradox: within Nolan's extraordinary structural precision and total command of his vision, he still not just allowed but demanded genuine creative freedom and exploration from every actor in every moment. [1] — Jon Bernthal "Everyone warned Bernthal that Nolan's sets are brutally rigorous. He was delighted. What surprised him was that within Nolan's airtight str…" 58:50 Bernthal names the opposite of this as mediocrity's clearest signal — directors who need everything a certain way. He also mentions other great directors he's worked with: Denis Villeneuve, Scorsese, Polanski — all enormously different, but all characterized by the same paradox of deep knowledge enabling real freedom.
Everyone warned Bernthal that Nolan's sets are brutally rigorous. He was delighted. What surprised him was that within Nolan's airtight structure and total vision, he still demanded real creative freedom from his actors — not just allowed it, demanded it. For Bernthal, needing it to be a certain way is the biggest telltale sign of mediocrity. Nolan, somehow, has maximum structure and maximum freedom simultaneously.
The cast of Christopher Nolan's The Odyssey filmed for 8 months across 8 different countries; Bernthal was part of the group for a couple of months.
