There was a roughly 7-year gap between Mumford & Sons' fourth and fifth albums, including 2 years of touring and the COVID pandemic.
There was a roughly 7-year gap between Mumford & Sons' fourth and fifth albums, including 2 years of touring and the COVID pandemic.
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At 34:42 · chapter starts 32:00
Babel was recorded in 6 weeks squeezed between tour dates — creatively pressurized, but it landed. Then the world opened up. Shows sold out, venues got bigger, Glastonbury beckoned. Marcus admits nobody prepares you for that level of success unless you're a Simon Cowell project. For him, the runaway fame fed a pre-existing shame narrative. [1] — Marcus Mumford "Babel turned Mumford & Sons into a global phenomenon overnight. Marcus wasn't prepared for it. The success fed a pre-existing shame narrati…" 34:55 He drank more, his friendship circle shrank, he went inward. He is candid but not self-pitying about it: 'I did use booze particularly as a bit of an escape.' Throughout it all, his marriage was the saving constant. He eventually quit alcohol 'more out of choice than necessity, although we could debate that,' and promptly replaced it with an ice cream diet. He was confused about not losing weight. Sean and Will both laugh in recognition — they've been on similar journeys.
During the peak of Mumford & Sons' Babel success, the band played approximately 250 shows a year.
Mumford & Sons took only 6 weeks off from touring to record Babel, which their producer found creatively frustrating.
Babel turned Mumford & Sons into a global phenomenon overnight. Marcus wasn't prepared for it. The success fed a pre-existing shame narrative and he drank more than he should. His friendship circle shrank. His marriage saved him.
After quitting alcohol, Marcus Mumford replaced it with an ice cream-based diet until he couldn't understand why he wasn't losing weight.
The Frozen soundtrack was the best-selling album of 2014, selling 10 million copies including streaming equivalents — beating Taylor Swift's 1989.
Most music historians point to 1968 as the year reggae was definitively born, marked by songs like Desmond Dekker's 'The Israelites' and the first use of the word 'reggae' by Toots and the Maytals.
Mento, the earliest predecessor to reggae from the 1940s–50s, blended African work songs with European musical influences and featured instruments like banjo, guitar, and the rumba box.
Transistor radios allowed Jamaicans to tune into Miami R&B stations for the first time in the 1950s–60s, directly inspiring ska and setting the stage for reggae.
Rocksteady, the slower, vocal-heavy predecessor to reggae, was popular for just about two years but produced major hits including the original 'Tide Is High' and 'Ain't No Sunshine.'
Joe Higgs' 1960 debut hit 'Manny-O' with Higgs and Wilson was one of the first records ever pressed and sold in Jamaica, selling 50,000 copies — a remarkable figure for the era.
Two days after being shot in the chest and shoulder at his home in 1976, Bob Marley still performed the Smile Jamaica anti-violence concert, showing extraordinary commitment to peace.
Catch a Fire (1972) is considered the Wailers' first full-blown reggae album, despite the group having released approximately four albums prior that were more R&B in style.
DJ Kool Herc, widely credited as a founding father of hip-hop, was born in Kingston, Jamaica, and brought Jamaican toasting traditions with him when he moved to the Bronx at age 12.
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