Emma Thompson keeps her Academy Awards in the lavatory to keep them 'in their place', and stores her Globes and BAFTAs on a shelf so high she can't see them.
Emma Thompson keeps her Academy Awards in the lavatory to keep them 'in their place', and stores her Globes and BAFTAs on a shelf so high she can't see them.
Where this was said
At 8:14 · chapter starts 6:40
From her North London office, Emma Thompson takes in each host's video setup: Sean Hayes surrounded by statues and awards, Jason Bateman framed by sky, and Will Arnett in 'deep darkness' with a 'vampire voice'. When Jason notes that she has no awards visible despite having won more than any of them, Emma delivers one of the episode's standout lines: her Oscars are in the lavatory because 'that just keeps them in their place' [1] — Emma Thompson "Emma Thompson keeps her Oscars in the lavatory and her Globes on a shelf so high she can't see them. It's not false modesty — it's a very B…" 08:00 , with her Globes and BAFTAs on a shelf so high she cannot see them. She calls it very British. Will's counter-proposal — a spotlight table in the foyer so visitors know exactly what they're dealing with — delights her, and the group riffs on gradually placing awards in every room until guests simply want to leave.
Emma Thompson keeps her Oscars in the lavatory and her Globes on a shelf so high she can't see them. It's not false modesty — it's a very British instinct to refuse to let trophies define the room.
A novel called 'Call Me, I'll Hide the Body' triggered a 14-publisher bidding war and sold for $2.4 million before critics alleged it was predominantly written by AI.
John Mulaney cold-texted Robby Hoffman out of nowhere to offer to produce her Netflix special, which became Wake Up.
Robby Hoffman posed as a courier to hand-deliver her spec script directly to the president of HBO Canada early in her career.
Robby and Mulaney filmed two shows in one night for the Netflix special; after the first they knew they had it, so the second was a victory lap.
Jimmy Carr performs up to 300 shows a year, often doing two shows per night, which he says reduces nerves rather than increasing them.
Jimmy Carr says that speaking at roughly 92 beats per minute is the optimal cadence for comedy and public speaking, including political speeches like Obama's.
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Jimmy Carr argues that comedians like George Carlin, Richard Pryor, and Dave Chappelle have permanently expanded the conversational Overton window on sex, politics, and taboo topics.
The Lion King musical has grossed over $11 billion in its 30-year run, making it the single highest-grossing piece of entertainment in history across any medium.
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