The Celtics went 56-23 in the last 79 games of the season and ranked second in offensive rating while Jaylen Brown was their primary star with Tatum injured.
A Crazy NBA Month With Zach Lowe, Plus Taylor Sheridan on Building a TV Empire and the Problems With Hollywood
Taylor Sheridan told Billy Bob Thornton he wanted to make "a drama with Bad Santa running an oil company" — and Thornton immediately said yes without reading a single word.
The Bill Simmons Podcast
A Crazy NBA Month With Zach Lowe, Plus Taylor Sheridan on Building a TV Empire and the Problems With Hollywood
Taylor Sheridan told Billy Bob Thornton he wanted to make "a drama with Bad Santa running an oil company" — and Thornton immediately said yes without reading a single word.
TL;DR
Bill Simmons and Zach Lowe dissect a chaotic NBA offseason live on Netflix, covering Jaylen Brown trade rumors [1] — Bill Simmons "Once the Celtics put Jaylen Brown in the Giannis sweepstakes, there was no going back. Simmons argues the mistake was not immediately openi…" 04:21 , the LaMelo Ball-to-Minnesota deal [2] — Bill Simmons "This is a jersey-selling, Twitch-moment trade for fans under 25. LaMelo has played just 9,400 minutes in 6 seasons with zero playoff appear…" 35:00 , Charlotte's asset accumulation strategy, and LeBron's potential landing spots [3] — Bill Simmons "Phoenix gave up an unprotected first-round pick in 2033 to get Miles Bridges — a rental who'll need to be re-signed. No protections, no cei…" 54:50 . Then Taylor Sheridan joins to discuss his new book *How to Not Die in Prison*, his unconventional path from actor to TV empire-builder, his streamlined production system, and why creative control — not committees — makes great television [4] — Taylor Sheridan "Sheridan pitched Billy Bob Thornton with one line about Bad Santa running an oil company. He told Helen Mirren, Harrison Ford, and Michelle…" 2:02:18 . Key takeaway: Sheridan's secret is writing for specific actors before a word exists on the page.
Bill Simmons and Zach Lowe go live on Netflix to break down the Jaylen Brown trade rumors, the LaMelo Ball trade to Minnesota, Miles Bridges to the Suns, and LeBron James' possible next team. Then Taylor Sheridan joins to discuss his new book How to Not Die in Prison, his screenwriting origins, his production system, and the building of his TV empire.
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The episode opens with sponsor reads for PNC Bank and PayPal, with the PayPal read working in a sports analogy about clutch moves and reward-stacking. Bill Simmons frames the episode as a live Netflix event, promising Zach Lowe for the NBA segment and Taylor Sheridan, creator of Yellowstone, for the back half. He mentions Lowe is coming off a Croatia World Cup win in Philadelphia, setting a loose, celebratory tone before diving into some of the most consequential NBA news of the offseason.
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With Brown's trade market assessed, Simmons runs through the realistic landing spots. He quickly dismisses New Orleans (Murphy, Poole, and picks may not even get a yes), Portland (Jrue Holiday and Kamar Young is interesting but doesn't move the needle publicly), and Houston (who has inexplicably told teams they're not interested). The centerpiece of the segment is the Denver proposal: Murray and Cam Johnson for Brown and Hauser, saving Denver $10M annually while giving Boston a healthy, versatile star [1] — Bill Simmons "Swap Murray for Brown, throw in Cam Johnson, save Denver $10M, and suddenly both teams look better. Boston gets a healthy young star and 3-…" 25:05 . Simmons argues Denver could reload with that savings, re-sign Peyton Watson, and build a bigger, deeper team around Jokic. Lowe pushes back, noting Denver would be left with virtually no proven rotation guards and a significant offensive adjustment, but ultimately agrees the trade has real merit for both sides. The question, they agree, is whether Denver has a long enough meeting about it — because they're at a genuine franchise crossroads.
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The LaMelo Ball trade to Minnesota triggers one of Simmons' most emphatic takes of the episode. He'd never have done it — LaMelo has played just 9,400 minutes across 6 seasons with zero playoff appearances, putting him in historically rare company alongside Ja Morant and Zion Williamson as high-usage scorers who simply don't play [1] — Bill Simmons "This is a jersey-selling, Twitch-moment trade for fans under 25. LaMelo has played just 9,400 minutes in 6 seasons with zero playoff appear…" 35:00 . Charlotte was clearly managing his minutes all year (27.5 per game from mid-November onward), almost as though they knew a trade was coming. For Minnesota, Simmons sees a franchise chasing its own tail — from the Gobert trade that made the KAT deal inevitable, to the Randle dump, to this Hail Mary for a guard who may never hold up for a 37-minute playoff game. Lowe is more generous, grading it a B for both teams and arguing that in isolation — without factoring in the Randle trade and the asset depletion context — it's not an outrageous price for a player of LaMelo's ceiling. Both agree, however, that the real test isn't the regular season: it's April and May, when LaMelo will need to be a different player against the physicality of OKC and San Antonio.
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With LeBron's future unresolved, Simmons and Lowe work through the realistic options. Simmons has said Golden State for three months and sticks with it, while also making the basketball case for San Antonio: the Spurs were a Finals contender who appeared to be missing one veteran leader, the money works with Cornette and Keldon Johnson's expirings, and at 41 years old nobody is going to begrudge LeBron chasing another ring [1] — Bill Simmons "San Antonio solves real roster needs and LeBron could be the missing piece from their Finals run. But Golden State offers the sunset ride w…" 1:08:21 . Lowe flags San Antonio's dignity as a franchise — it befits how LeBron sees himself. Denver comes up briefly (Jokic + LeBron would be mesmerizing) but the money is tight. Golden State wins the 'most fun' vote from both hosts: the LeBron-Curry rivalry arc — from bitter Finals opponents through Team USA's 2024 Olympics run — has transformed into something that could close beautifully if they won together. Both agree Anthony Davis to Washington is the most likely blockbuster of the summer, and Simmons floats Detroit and a weird LeBron destination as the wildcard 'wow' moments to watch for.
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Sheridan traces the book's origins to around 2003-2004, when he met a heavily tattooed former career criminal at a West Hollywood gym — a man who'd spent most of his adult life in state and federal prison before discovering fitness and getting clean [1] — Taylor Sheridan "Sheridan met a tattooed ex-con at a West Hollywood gym who became a friend, a trainer, and eventually a single father in financial crisis. …" 1:28:55 . The two became close; the ex-con trained Sheridan's wife, eventually opened his own gym, and became the largest privately-owned personal training operation in LA. The friendship cooled during Sheridan's Wyoming move, then revived when the man called in 2021, a single father with a terminal health scare, an ex-felon unable to find stable enough work to support his young daughter, and one month's rent left. Rather than loan money (which Sheridan says has a 100% failure rate for friendships), he proposed a book modeled on Robert Young Pelton's The World's Most Dangerous Places: a travel guide to prison, written with the expertise of someone who spent 17 years inside. Simon & Schuster bought it quickly, and the two collaborated to produce what Sheridan describes as an honest, sometimes funny, genuinely deterring account of surviving incarceration.
- Second apron
- An NBA luxury tax threshold well above the salary cap; teams exceeding it face severe restrictions on trades, free agent signings, and draft asset movement.
- Trade exception
- A one-time salary slot created in certain NBA trades that allows a team to absorb salary without giving up players in return.
- Spec script
- A screenplay written without a commission or guaranteed buyer, on speculation that it can be sold; Taylor Sheridan writes all his scripts this way.
- Pick swap
- An NBA trade arrangement where a team has the option to exchange draft picks with another team, choosing whichever pick is more favorable.
- Apron
- In NBA finance, a spending threshold (typically the 'hard cap' or 'second apron') above which teams face escalating penalties for player transactions.
- Wildcat / Wildcatter
- An oil driller who sinks wells in unproven territory, betting everything on finding oil where none has been confirmed; used in Landman to describe high-risk entrepreneurs.
- Mid-level exception
- An NBA mechanism allowing teams over the salary cap to sign free agents for roughly the average player salary; a key roster-building tool.
- Five-act structure
- A dramatic framework with five distinct dramatic movements rather than the standard three acts; Taylor Sheridan used it deliberately in Sicario to disorient viewers.
- Ground branch
- CIA Ground Branch — the agency's paramilitary special operations unit, referenced by Sheridan in describing his character on Lioness.
- Guerrilla filmmaking
- Low-budget, fast-moving film production with minimal crew and equipment, often without official permissions; Sheridan used this approach on his early independent films.
- PPE (Paycheck Protection Program)
- A US government COVID-19 relief loan program for small businesses; Sheridan references it when his co-author's gym was shut down during lockdowns.
- Journeyman actor
- A working actor who consistently finds employment in smaller roles without becoming a star; Taylor Sheridan describes his own early career this way.
- Fortuitous
- Happening by lucky chance rather than design; Sheridan uses it to distinguish earned success from dumb luck when discussing Denis Villeneuve's involvement in Sicario.
- Vaudevillian
- Resembling vaudeville — broad, theatrical, comic entertainment; Sheridan uses it to describe the cartoonish, comedic moments he deliberately includes in otherwise serious dramas like Landman.
- Toothpaste back in the tube
- Idiom meaning to reverse something that cannot be undone; used by Simmons and Lowe to describe whether Boston could walk back the Jaylen Brown trade situation.
- Ring chase
- When a veteran player joins a championship-contending team primarily to win a title rather than for competitive reasons; discussed in the context of LeBron's potential next move.
- Schizophrenic (tonal)
- In storytelling, shifting unpredictably between dramatic registers — serious drama and broad comedy — within the same show; Sheridan uses this to describe Landman's intentional tonal range.
- Omnibus
- Not used explicitly, but Sheridan's description of his TV universe functions like one — multiple self-contained stories set in an interconnected world.
- Becquerel / Second-round pick (NBA context)
- A draft selection in rounds 13-60 of the NBA draft with significantly lower perceived value than first-round picks, often included in trades as sweeteners.
Chapter 2 · 01:15
Jaylen Brown trade rumors
With Brown's trade market assessed, Simmons runs through the realistic landing spots. He quickly dismisses New Orleans (Murphy, Poole, and picks may not even get a yes), Portland (Jrue Holiday and Kamar Young is interesting but doesn't move the needle publicly), and Houston (who has inexplicably told teams they're not interested). The centerpiece of the segment is the Denver proposal: Murray and Cam Johnson for Brown and Hauser, saving Denver $10M annually while giving Boston a healthy, versatile star [1] — Bill Simmons "Swap Murray for Brown, throw in Cam Johnson, save Denver $10M, and suddenly both teams look better. Boston gets a healthy young star and 3-…" 25:05 . Simmons argues Denver could reload with that savings, re-sign Peyton Watson, and build a bigger, deeper team around Jokic. Lowe pushes back, noting Denver would be left with virtually no proven rotation guards and a significant offensive adjustment, but ultimately agrees the trade has real merit for both sides. The question, they agree, is whether Denver has a long enough meeting about it — because they're at a genuine franchise crossroads.
Claims made here
Jaylen Brown played almost 26,000 regular season minutes and nearly 5,000 playoff minutes over 10 seasons.
Once the Celtics put Jaylen Brown in the Giannis sweepstakes, there was no going back. Simmons argues the mistake was not immediately opening Brown to all bidders at once, because now that teams know he must be traded, the market has already soured.
The Celtics went 56-23 without Tatum, with Brown as their only reliable scorer. His 29-point nights, elite durability, and willingness to take on every tough defensive assignment make him a top-15 player — and yet teams won't give up a prospect for him.
The Celtics went 56-23 in the 79 games Jaylen Brown played last season without Tatum, finishing second in offensive rating.
Jaylen Brown has logged nearly 26,000 regular season minutes and almost 5,000 playoff minutes over 10 years, making him one of the most durable stars in the league.
Swap Murray for Brown, throw in Cam Johnson, save Denver $10M, and suddenly both teams look better. Boston gets a healthy young star and 3-guard flexibility. Denver gets bigger, deeper, and can still run everything through Jokic.
The proposed Jamal Murray and Cam Johnson for Jaylen Brown and Sam Hauser trade would save Denver approximately $10 million annually.
Chapter 3 · 34:29
LaMelo Ball traded to the Wolves
The LaMelo Ball trade to Minnesota triggers one of Simmons' most emphatic takes of the episode. He'd never have done it — LaMelo has played just 9,400 minutes across 6 seasons with zero playoff appearances, putting him in historically rare company alongside Ja Morant and Zion Williamson as high-usage scorers who simply don't play [1] — Bill Simmons "This is a jersey-selling, Twitch-moment trade for fans under 25. LaMelo has played just 9,400 minutes in 6 seasons with zero playoff appear…" 35:00 . Charlotte was clearly managing his minutes all year (27.5 per game from mid-November onward), almost as though they knew a trade was coming. For Minnesota, Simmons sees a franchise chasing its own tail — from the Gobert trade that made the KAT deal inevitable, to the Randle dump, to this Hail Mary for a guard who may never hold up for a 37-minute playoff game. Lowe is more generous, grading it a B for both teams and arguing that in isolation — without factoring in the Randle trade and the asset depletion context — it's not an outrageous price for a player of LaMelo's ceiling. Both agree, however, that the real test isn't the regular season: it's April and May, when LaMelo will need to be a different player against the physicality of OKC and San Antonio.
Claims made here
LaMelo Ball averaged 27.5 minutes per game from mid-November onward last season in Charlotte.
LaMelo Ball played only 9,400 minutes across 6 NBA seasons with zero playoff appearances, placing him among the least durable good guards of the last 25 years.
Minnesota does not control their own first-round draft pick for 7 years after acquiring LaMelo Ball.
Minnesota has approximately $11 million left to spend on 4 roster spots after their recent trades.
Io (who was acquired for a second-round pick) signed a 5-year, $112 million contract with Minnesota.
This is a jersey-selling, Twitch-moment trade for fans under 25. LaMelo has played just 9,400 minutes in 6 seasons with zero playoff appearances. Minnesota just bet Anthony Edwards' prime on a guy who might never play a full season.
Charlotte carefully limited LaMelo to just 27.5 minutes per game from mid-November onward, almost as if they already knew they'd trade him.
In 6 seasons, LaMelo Ball has played just 9,400 minutes and zero playoff games, making him one of the least durable good guards of the last 25 years.
Following the LaMelo trade, Minnesota doesn't control their own first-round pick for 7 years, a staggering asset cost.
Minnesota signed Ioannidis (Io) to a 5-year, $112 million deal, surprising given he was traded for a second-round pick just months earlier.
Every Minnesota problem traces back to the Gobert trade. It robbed them of assets, made the Towns deal inevitable, and led to a chain of moves chasing their own tail. Two conference finals later, it's still not clear they didn't overpay.
Chapter 4 · 54:23
Miles Bridges to the Suns and other trade news
With LeBron's future unresolved, Simmons and Lowe work through the realistic options. Simmons has said Golden State for three months and sticks with it, while also making the basketball case for San Antonio: the Spurs were a Finals contender who appeared to be missing one veteran leader, the money works with Cornette and Keldon Johnson's expirings, and at 41 years old nobody is going to begrudge LeBron chasing another ring [1] — Bill Simmons "San Antonio solves real roster needs and LeBron could be the missing piece from their Finals run. But Golden State offers the sunset ride w…" 1:08:21 . Lowe flags San Antonio's dignity as a franchise — it befits how LeBron sees himself. Denver comes up briefly (Jokic + LeBron would be mesmerizing) but the money is tight. Golden State wins the 'most fun' vote from both hosts: the LeBron-Curry rivalry arc — from bitter Finals opponents through Team USA's 2024 Olympics run — has transformed into something that could close beautifully if they won together. Both agree Anthony Davis to Washington is the most likely blockbuster of the summer, and Simmons floats Detroit and a weird LeBron destination as the wildcard 'wow' moments to watch for.
Claims made here
Charlotte traded $78 million in salary (LaMelo, Green, Bridges) and received $52 million in return (Nas Reid, O'Neal, Grace Nowen), while also generating a $41 million trade exception.
FanDuel win total odds imply Minnesota is projected at around 50 wins next season and Miami around 46-47 wins.
Phoenix gave up an unprotected first-round pick in 2033 to get Miles Bridges — a rental who'll need to be re-signed. No protections, no ceiling on the pick, and Charlotte walks away with what could be a lottery pick a decade from now.
Charlotte flipped $78M in salary to $52M, generated a $41M trade exception, loaded up on first-round picks, and has the infrastructure to build something real. They may have just become the best-positioned franchise in the Eastern Conference for the next 7 years.
Charlotte traded LaMelo, Green, and Bridges ($78M in salary) and received Nas Reid, O'Neal, and Grace Nowen ($52M), instantly generating massive cap flexibility.
Both Giannis and Bam want to operate in the middle of the floor. That's not a problem until you need spacing — and then you have a traffic jam. For Miami to be a true contender, Bam needs to become a legitimate 3-point threat. He's not there yet.
Memphis would take Jalen Green straight up and call it a win. But Lowe argues even that requires no draft sweetener — it's Morant or nothing. The list of teams that need a point guard is short, and none of them seem particularly interested.
San Antonio solves real roster needs and LeBron could be the missing piece from their Finals run. But Golden State offers the sunset ride with Curry and the chance to sell out every arena on a farewell tour. Either way, nobody's calling it a ring chase at 41.
San Antonio was a Finals contender last year and was missing one veteran leader. LeBron in the Keldon Johnson and Luke Kornet minutes changes everything — and at 41, nobody calls it a ring chase. It's just the old gunslinger riding with a great young team.
Chapter 5 · 1:26:40
Taylor Sheridan on his new book, screenwriting, and more!
Sheridan traces the book's origins to around 2003-2004, when he met a heavily tattooed former career criminal at a West Hollywood gym — a man who'd spent most of his adult life in state and federal prison before discovering fitness and getting clean [1] — Taylor Sheridan "Sheridan met a tattooed ex-con at a West Hollywood gym who became a friend, a trainer, and eventually a single father in financial crisis. …" 1:28:55 . The two became close; the ex-con trained Sheridan's wife, eventually opened his own gym, and became the largest privately-owned personal training operation in LA. The friendship cooled during Sheridan's Wyoming move, then revived when the man called in 2021, a single father with a terminal health scare, an ex-felon unable to find stable enough work to support his young daughter, and one month's rent left. Rather than loan money (which Sheridan says has a 100% failure rate for friendships), he proposed a book modeled on Robert Young Pelton's The World's Most Dangerous Places: a travel guide to prison, written with the expertise of someone who spent 17 years inside. Simon & Schuster bought it quickly, and the two collaborated to produce what Sheridan describes as an honest, sometimes funny, genuinely deterring account of surviving incarceration.
Claims made here
Taylor Sheridan's co-author for How to Not Die in Prison spent 17 years in state and federal prisons as a career criminal before becoming a personal trainer.
Taylor Sheridan was the first film/TV production in the US to resume filming during COVID-19, by isolating his crew on a Montana ranch.
Taylor Sheridan began screenwriting at approximately age 41 after spending 15 years as an actor.
Taylor Sheridan's Wind River was financed by an Indian tribe in Louisiana, and Sheridan never met the financiers during production.
David E. Kelley was simultaneously writing Chicago Hope, The Practice, and Picket Fences — three shows — by himself.
Taylor Sheridan's production company makes television at a $35 million per episode scale using the same creative system developed on low-budget indie films.
Kevin Costner was originally only contracted for the first 3 seasons of Yellowstone; the show's massive success convinced him to stay for 2 more.
Yellowstone was first sold to HBO in 2015, who passed on it; Paramount then picked it up, shocked it was still available.
Taylor Sheridan quit Sons of Anarchy in 2010 to begin screenwriting after the show offered him disrespectfully low pay.
Sheridan met a tattooed ex-con at a West Hollywood gym who became a friend, a trainer, and eventually a single father in financial crisis. Rather than give a loan, Sheridan pitched a book — a travel guide for prison — and Simon & Schuster immediately said yes.
Taylor Sheridan's co-author for How to Not Die in Prison spent 17 years in state and federal prisons as a career criminal before turning his life around through fitness.
Taylor Sheridan was the first film/TV production in the US to resume filming during COVID, convincing guilds to allow work by isolating crew on a Montana ranch.
Taylor Sheridan didn't begin screenwriting until age 41, having spent 15 years as a working actor with mostly small roles before quitting Sons of Anarchy to write.
Studio executives are mostly marketing and legal professionals terrified they won't understand the story — so they demand rewrites, backstory documents, and consensus. Sheridan demanded the opposite: pay him, stay out of his way, and he'll deliver. His track record proves it.
Production assistants became first ADs. Camera operators became directors. An editor became a showrunner. Sheridan promotes exclusively from within, building a crew that speaks one creative language and never needs to be re-trained. The result: TV at massive scale with indie-film efficiency.
Taylor Sheridan described scaling from guerrilla indie films to $35 million-per-episode television productions using the exact same creative system.
Sheridan pitched Billy Bob Thornton with one line about Bad Santa running an oil company. He told Helen Mirren, Harrison Ford, and Michelle Pfeiffer he wanted them before writing a word. When a role is built around the exact person playing it, it almost can't fail.
Hauser isn't a pretty-boy leading man — he's a wordsmith who understands which syllable changes meaning, with a physical presence that felt like a throwback to '70s cinema. Hollywood didn't want that for two decades. Sheridan did.
Critics roasted Sheridan for making Demi Moore an extra for seven episodes. That was the plan. By the time her husband dies and she must run the oil company, the audience — already predisposed to underestimate her — is set up for the most powerful possible reversal.
In 2015, Sheridan pitched Yellowstone to HBO and explicitly told them it would be the biggest show on television. HBO passed. Paramount was shocked it was still available. The rest is TV history.
Taylor Sheridan sold Yellowstone to HBO first in 2015, telling them it would be the biggest show on television, but they passed; Paramount picked it up and the rest is history.
Most movies follow a predictable three-act rhythm. Sheridan wrote Sicario in five acts and hid the film's central goal until the end of act three. The tunnel shootout — placed where act two normally ends — was engineered to make audiences feel like anyone could die at any moment.
Sons of Anarchy offered Sheridan garbage money, making the decision to walk away easy. He realized that 15 years of acting had taught him exactly what not to do as a writer, and that the only way he'd ever tell a story worth telling was to write it himself.
No indexed bits in this chapter.
Show stoppers
Snapshots ()
Key Quotes ()
This episode
Cast
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Creator of Yellowstone and Landman; interviewed about his new book, screenwriting philosophy, and production system.
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Central subject of trade rumors throughout the NBA segment; Bills Simmons defends his value as a top-15 player on a max contract.
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Recently traded from Charlotte to Minnesota; Simmons is deeply skeptical due to Ball's durability issues and zero playoff experience.
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Discussed as the reason Jaylen Brown may feel undervalued in Boston; notably silent during the trade speculation.
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Subject of free agency speculation; Simmons and Lowe debate whether he should go to San Antonio, Golden State, or Denver.
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Boston's failed attempt to acquire him triggered the Jaylen Brown trade situation; eventually traded to Miami.
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Minnesota's franchise star whose prime Simmons argues is being gambled on the injury-prone LaMelo Ball.
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Central to Simmons' proposed trade sending Murray to Boston for Jaylen Brown and Sam Hauser.
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Traded from Charlotte to Phoenix; Simmons argues Charlotte won the trade decisively given the picks they received.
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Denver's all-time great center around whom Simmons envisions building a roster featuring Jaylen Brown.
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His trade to Minnesota is identified as the root cause of the franchise's current asset problems and the eventual Towns deal.
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Sheridan recruited him for Landman with the one-line pitch 'Bad Santa running an oil company'; he immediately agreed.
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The first director Sheridan sent Sicario to; his willingness to embrace the script's structural complexity was key to the film's success.
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Attempting to trade Jaylen Brown after being linked to Giannis Antetokounmpo; discussed as potentially mishandling the situation.
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Acquired LaMelo Ball from Charlotte in a move Simmons views as a costly gamble on Anthony Edwards' prime years.
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Praised for their asset accumulation strategy after trading LaMelo Ball, Miles Bridges, and Josh Green to load up on picks and cap space.
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Discussed as a potential Jaylen Brown trade partner and as a possible LeBron James landing spot.
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Both Simmons and Lowe agree a LeBron-Curry pairing with Golden State would be the most entertaining option for his final chapter.
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Criticized for giving up an unprotected 2033 first-round pick to acquire Miles Bridges from Charlotte.
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Simmons' preferred landing spot for LeBron James, arguing the team was a Finals contender missing one veteran leader.
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Acquired Giannis Antetokounmpo; Lowe is skeptical they can be a true championship contender due to spacing concerns with Giannis and Bam Adebayo.
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Sheridan's Paramount+ drama about the oil industry starring Billy Bob Thornton, discussed in detail including its casting and tonal approach.
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Sheridan's landmark TV show discussed as a cultural phenomenon; originally sold to HBO before Paramount picked it up.
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Taylor Sheridan's breakthrough screenplay; discussed for its unconventional five-act structure and Denis Villeneuve's direction.
Stats
This episode
Claims & Sources
Factual claims made this episode, and whether a source was named.
Jaylen Brown played almost 26,000 regular season minutes and nearly 5,000 playoff minutes over 10 seasons.
LaMelo Ball played only 9,400 minutes across 6 NBA seasons with zero playoff appearances, placing him among the least durable good guards of the last 25 years.
The Celtics went 56-23 in the last 79 games of the season and ranked second in offensive rating while Jaylen Brown was their primary star with Tatum injured.
Charlotte traded $78 million in salary (LaMelo, Green, Bridges) and received $52 million in return (Nas Reid, O'Neal, Grace Nowen), while also generating a $41 million trade exception.
Minnesota does not control their own first-round draft pick for 7 years after acquiring LaMelo Ball.
Taylor Sheridan began screenwriting at approximately age 41 after spending 15 years as an actor.
Taylor Sheridan's co-author for How to Not Die in Prison spent 17 years in state and federal prisons as a career criminal before becoming a personal trainer.
Taylor Sheridan was the first film/TV production in the US to resume filming during COVID-19, by isolating his crew on a Montana ranch.
Yellowstone was first sold to HBO in 2015, who passed on it; Paramount then picked it up, shocked it was still available.
Taylor Sheridan's Wind River was financed by an Indian tribe in Louisiana, and Sheridan never met the financiers during production.
Kevin Costner was originally only contracted for the first 3 seasons of Yellowstone; the show's massive success convinced him to stay for 2 more.
FanDuel win total odds imply Minnesota is projected at around 50 wins next season and Miami around 46-47 wins.
David E. Kelley was simultaneously writing Chicago Hope, The Practice, and Picket Fences — three shows — by himself.
Taylor Sheridan quit Sons of Anarchy in 2010 to begin screenwriting after the show offered him disrespectfully low pay.
Taylor Sheridan's production company makes television at a $35 million per episode scale using the same creative system developed on low-budget indie films.
Minnesota has approximately $11 million left to spend on 4 roster spots after their recent trades.
Io (who was acquired for a second-round pick) signed a 5-year, $112 million contract with Minnesota.
LaMelo Ball averaged 27.5 minutes per game from mid-November onward last season in Charlotte.