Podbit · The Louis Theroux Podcast
Emma Stone told an interviewer that Lanthimos is 'really miserable' while filming, and confirmed it has gotten worse over time, not better. Lanthimos admits it: he has complete creative freedom, which means every failure is entirely his own fault, and the weight of that is genuinely crushing even if it looks absurd from the outside.
Where this was said
At 32:30 · chapter starts 31:10
Louis surfaces a quote from Emma Stone confirming that Lanthimos grows more miserable on set with each successive film, a characterisation Lanthimos accepts without much resistance. He explains that the suffering is not physical hardship — it's the weight of responsibility that comes with total creative freedom: every decision is his, every failure is his, and unlike someone doing an objectively gruelling job, he chose this and cannot redirect blame elsewhere. He acknowledges the absurdity of calling filmmaking hard when compared to real-world suffering, but insists that within the logic of his own life and values, it genuinely is hard. The stress has compounded rather than diminished with experience.
Bugonia was the most stressful film Lanthimos has ever made, and the reason is straightforward: he made Poor Things, Kinds of Kindness, and Bugonia consecutively without any break between them. By the third film, the accumulated pressure with no recovery time had become genuinely overwhelming.
Lanthimos made Poor Things, Kinds of Kindness, and Bugonia consecutively without a break, which he believes contributed to Bugonia being his most stressful production.
The entire plot of the original Terminator film depends on the phone book. The Terminator looks up 'Sarah Connor,' finds multiple listings, and starts killing them one by one. No phone book, no movie.
Rico has already appeared in Den of Thieves, Den of Thieves 2, and Roadhouse alongside Jake Gyllenhaal and Dave Bautista. Jason Statham is developing a specific role for him. Working alongside elite actors taught Rico something about himself: the emotional suppression that makes him a great fighter is exactly the material that makes great acting — if he learns to stop pushing it away.
Trump joked that Health Secretary Robert F. Kennedy Jr. personally ran over, butchered, and delivered the evening's beef tenderloin to the dinner — then topped it with a punchline about RFK wanting to serve raccoon roadkill as an appetizer. The crowd's laughter at jokes targeting his own administration signaled a rare night of good-natured self-deprecation from Trump.
Jimmy Tatro is playing the nemesis-son to Will Ferrell's washed-up golfer in The Hawk, his fifth project with Ferrell and Ferrell's first lead TV series. The real highlight: Molly Shannon, playing his on-screen mother, drove off set on the last day with Chief Keef blasting from her subwoofers.
Alan Ritchson walked into a Thor audition with his sides still in his hand, half-assed it on a spotlight-lit stage before two silhouettes in a dark theater, and bombed so completely that the casting director broke protocol to call his team. The feedback? He had no craft. That one sentence sent him to acting school — and changed the trajectory of everything.
Alan Ritchson walked out of his Titans audition so sure he'd booked the lead that he called his wife and told her he was going to buy a Tesla. She said he hadn't booked it. He went and bought the car anyway. His instincts were right — he was offered the role — just not the one he wanted.
Reacher drew 56 million global viewers in a single week of Season 2. Alan Ritchson points out what makes it unusual: unlike ensemble shows, almost all of that visibility lands on one person. It's an anthology with a rotating cast built around a single titular character — and the scale of it is something even he calls unprecedented.
Motor City has no spoken dialogue. Every major leading man in Hollywood — Jake Gyllenhaal, Hugh Jackman, Gerard Butler, Adrian Brody — was attached at some point. It was greenlit nine times. The concept was simple: Greg Silverman wanted a film everyone in the world could watch with the exact same experience, regardless of language. Alan Ritchson read the script and called it a masterpiece.
Working with Arnold Schwarzenegger showed Alan Ritchson what 100% recognition looks like. People feel Schwarzenegger before they see him — like a meteor approaching. Alan's wife wants a strict no-photos policy around family. Arnold stops for everyone. The contrast was a master class in how gratitude should manifest when fame is inescapable.
We use essential and analytics cookies to run Vuci. To understand how the site is used: Privacy Policy.
Install Vuci on your phone
Add it to your home screen for a faster, app-like experience.
Install Vuci on your phone
Tap the Share button, then “Add to Home Screen”.
A new version is available
Reload to get the latest Vuci.