With over $100,000 banked, Larson's concentration started to crack during the final three spins Janie passed to him. His mind went blank mid-spin — he forgot where the whammies were. He buzzed in anyway, landed on an unfamiliar square, and got incredibly lucky: it revealed a trip to the Bahamas.
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At 32:50 · chapter starts 32:45
By the time Larson passed the $100,000 mark — his stated goal — he was visibly exhausted, running on fumes [1] — Host "With over $100,000 banked, Larson's concentration started to crack during the final three spins Janie passed to him. His mind went blank mi…" 32:50 . He passed his remaining spins back to Janie Dakin, who in turn passed her final three spins back to Larson as a tactical move. Those three spins would prove the most nerve-shredding of the entire run. On his first two, Larson managed to land on his target squares at 12 and 3 o'clock, winning cash on both. On the third, his mind went completely blank. He forgot where the whammies were. He buzzed in anyway — and landed on an unfamiliar square, one where whammies had appeared earlier in the game. The audience held its breath. No whammy. The square revealed a trip to the Bahamas. Larson wiped his brow. He passed his remaining 2 spins back to Janie, who finished the game with modest winnings. When the final tally was announced, Larson had accumulated $110,237 in cash and prizes. He unleashed his now-legendary high-pitched yelp. Announcer Rod Roddy — also known from The Price Is Right — nearly lost his voice listing the haul. Host Peter Tomarken told Larson: 'You have won more money than anyone has even thought about winning on Press Your Luck.' It was the truth.
The entire plot of the original Terminator film depends on the phone book. The Terminator looks up 'Sarah Connor,' finds multiple listings, and starts killing them one by one. No phone book, no movie.
Rico has already appeared in Den of Thieves, Den of Thieves 2, and Roadhouse alongside Jake Gyllenhaal and Dave Bautista. Jason Statham is developing a specific role for him. Working alongside elite actors taught Rico something about himself: the emotional suppression that makes him a great fighter is exactly the material that makes great acting — if he learns to stop pushing it away.
Trump joked that Health Secretary Robert F. Kennedy Jr. personally ran over, butchered, and delivered the evening's beef tenderloin to the dinner — then topped it with a punchline about RFK wanting to serve raccoon roadkill as an appetizer. The crowd's laughter at jokes targeting his own administration signaled a rare night of good-natured self-deprecation from Trump.
Jimmy Tatro is playing the nemesis-son to Will Ferrell's washed-up golfer in The Hawk, his fifth project with Ferrell and Ferrell's first lead TV series. The real highlight: Molly Shannon, playing his on-screen mother, drove off set on the last day with Chief Keef blasting from her subwoofers.
Alan Ritchson walked into a Thor audition with his sides still in his hand, half-assed it on a spotlight-lit stage before two silhouettes in a dark theater, and bombed so completely that the casting director broke protocol to call his team. The feedback? He had no craft. That one sentence sent him to acting school — and changed the trajectory of everything.
Alan Ritchson walked out of his Titans audition so sure he'd booked the lead that he called his wife and told her he was going to buy a Tesla. She said he hadn't booked it. He went and bought the car anyway. His instincts were right — he was offered the role — just not the one he wanted.
Reacher drew 56 million global viewers in a single week of Season 2. Alan Ritchson points out what makes it unusual: unlike ensemble shows, almost all of that visibility lands on one person. It's an anthology with a rotating cast built around a single titular character — and the scale of it is something even he calls unprecedented.
Motor City has no spoken dialogue. Every major leading man in Hollywood — Jake Gyllenhaal, Hugh Jackman, Gerard Butler, Adrian Brody — was attached at some point. It was greenlit nine times. The concept was simple: Greg Silverman wanted a film everyone in the world could watch with the exact same experience, regardless of language. Alan Ritchson read the script and called it a masterpiece.
Working with Arnold Schwarzenegger showed Alan Ritchson what 100% recognition looks like. People feel Schwarzenegger before they see him — like a meteor approaching. Alan's wife wants a strict no-photos policy around family. Arnold stops for everyone. The contrast was a master class in how gratitude should manifest when fame is inescapable.
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