Andrew rewatched The Social Network and declared it has zero fat from front to back. He also reminded Bobby that a sequel called The Reckoning is in production starring Jeremy Allen White, Mikey Madison, and Jeremy Strong.
Where this was said
At 9:45 · chapter starts 9:40
A TikTok clip of The Social Network sent Andrew back to rewatch the 2010 Fincher-Sorkin collaboration, which he declares a perfect film — Aaron Sorkin and David Fincher as a super team, not a single dull frame from beginning to end [1] — Bobby Lee "Bobby was invited to audition for Studio 60 on the Sunset Strip — in the room with Aaron Sorkin himself. He passed because he couldn't face…" 10:18 . The hosts then surface news of a Facebook sequel called The Reckoning, starring Jeremy Allen White, Mikey Madison, and Jeremy Strong. Bobby pivots to his own Sorkin story: he had an actual audition for Studio 60 on the Sunset Strip, in the room with Sorkin himself, and walked away because he couldn't face two pages of word-for-word dialogue. He admits he probably could have handled it now. The scene captures the particular tragedy of a door you saw and chose not to open.
Bobby was invited to audition for Studio 60 on the Sunset Strip — in the room with Aaron Sorkin himself. He passed because he couldn't face memorizing two pages of Sorkin's word-for-word dialogue. He now thinks he could have done it.
Robby Hoffman isn't fearless — she's terrified all the time. The difference is she does it anyway, because not doing it feels worse than the fear itself.
John Mulaney texted Robby Hoffman out of nowhere saying he'd been a fan for a while and wanted to make a Netflix special with her. Robby called it 'shocking, horrifying, anxiety-inducing, surreal and thrilling' — and said yes.
Mulaney is buttoned-up, suit-wearing, classy. Robby is gritty, raw, and undefined. Together they made the collab nobody expected. Batman and Robin. Eminem and Dido.
Music had Pope Gregory forcing notation. Comedy has had 'magical thinking' — he's just got funny bones. But jokes work through discoverable, teachable mechanics. Writing down the rules doesn't kill the magic; it gives more people access to it.
Howard Ashman had one insight nobody else had: animated Disney films should be Broadway musicals. The third song of every great musical is the character sitting alone explaining what they want. That's 'Part of Your World.' That structure — combined with Alan Menken's compositions — generated Beauty and the Beast, Aladdin, and The Lion King, and turned Disney Animation into the most profitable creative engine in entertainment history.
The Lion King musical has been running for 30 years across Broadway, London's West End, and global touring companies. It has grossed over $11 billion in total revenue — more than Avatar, more than Avengers: Endgame, more than any album, more than any video game. It generates an average of $350 million in revenue every single year. Disney owns it outright.
The anonymous French artist Invader has hidden 1,500 pixelated mosaic artworks across Paris alone, with thousands more scattered across 80+ cities — affixed to the Eiffel Tower, the Hollywood sign, and even sent to the International Space Station. He might be even busier than Banksy.
The Flash Invaders app turns city streets into a treasure hunt, letting players scan Invader's hidden mosaics for points. Players have collectively logged over 47 million flashes. Unlike most mobile games that glue you to a screen, this one forces you to look up and engage with your surroundings.
New York draws thousands of young, talented performers every year chasing Broadway stardom — but the hard truth is that most of them never make it. Zelig Williams was one of the rare exceptions.
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