'In a world…' was LaFontaine's invention, and his explanation for it is brilliantly simple: it sets the scene of a feature film in just a handful of words. What reads as cliché now was a genuine creative breakthrough that shaped how movies are sold.
Where this was said
At 11:35 · chapter starts 11:05
The conversation arrives at what LaFontaine is most famous for: the 'In a world…' phrase that became the ur-catchphrase of movie trailers. [1] — Chuck "'In a world…' was LaFontaine's invention, and his explanation for it is brilliantly simple: it sets the scene of a feature film in just a h…" 11:35 Chuck pulls from sources including the New York Times obituary and donlafontaine.com to explain that LaFontaine also pioneered phrases like 'a one man army,' 'nowhere to run, nowhere to hide,' and 'no way out.' But 'In a world' was the money phrase, and LaFontaine himself explained why: it's an incredibly efficient mechanism for establishing the premise and tone of a feature film in a matter of seconds. Josh notes there's no definitive historical proof LaFontaine literally invented it, but he's universally credited with it, and no one has mounted a serious counter-claim.
When LaFontaine launched Don LaFontaine Associates in 1976, his very first assignment was the trailer for The Godfather Part II.
LaFontaine is widely credited with originating the 'In a world…' trailer phrase as a rapid, efficient way to set the scene of a film in just a handful of words.
The entire plot of the original Terminator film depends on the phone book. The Terminator looks up 'Sarah Connor,' finds multiple listings, and starts killing them one by one. No phone book, no movie.
Rico has already appeared in Den of Thieves, Den of Thieves 2, and Roadhouse alongside Jake Gyllenhaal and Dave Bautista. Jason Statham is developing a specific role for him. Working alongside elite actors taught Rico something about himself: the emotional suppression that makes him a great fighter is exactly the material that makes great acting — if he learns to stop pushing it away.
Trump joked that Health Secretary Robert F. Kennedy Jr. personally ran over, butchered, and delivered the evening's beef tenderloin to the dinner — then topped it with a punchline about RFK wanting to serve raccoon roadkill as an appetizer. The crowd's laughter at jokes targeting his own administration signaled a rare night of good-natured self-deprecation from Trump.
Jimmy Tatro is playing the nemesis-son to Will Ferrell's washed-up golfer in The Hawk, his fifth project with Ferrell and Ferrell's first lead TV series. The real highlight: Molly Shannon, playing his on-screen mother, drove off set on the last day with Chief Keef blasting from her subwoofers.
Alan Ritchson walked into a Thor audition with his sides still in his hand, half-assed it on a spotlight-lit stage before two silhouettes in a dark theater, and bombed so completely that the casting director broke protocol to call his team. The feedback? He had no craft. That one sentence sent him to acting school — and changed the trajectory of everything.
Alan Ritchson walked out of his Titans audition so sure he'd booked the lead that he called his wife and told her he was going to buy a Tesla. She said he hadn't booked it. He went and bought the car anyway. His instincts were right — he was offered the role — just not the one he wanted.
Reacher drew 56 million global viewers in a single week of Season 2. Alan Ritchson points out what makes it unusual: unlike ensemble shows, almost all of that visibility lands on one person. It's an anthology with a rotating cast built around a single titular character — and the scale of it is something even he calls unprecedented.
Motor City has no spoken dialogue. Every major leading man in Hollywood — Jake Gyllenhaal, Hugh Jackman, Gerard Butler, Adrian Brody — was attached at some point. It was greenlit nine times. The concept was simple: Greg Silverman wanted a film everyone in the world could watch with the exact same experience, regardless of language. Alan Ritchson read the script and called it a masterpiece.
Working with Arnold Schwarzenegger showed Alan Ritchson what 100% recognition looks like. People feel Schwarzenegger before they see him — like a meteor approaching. Alan's wife wants a strict no-photos policy around family. Arnold stops for everyone. The contrast was a master class in how gratitude should manifest when fame is inescapable.
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