Robby Hoffman's role as Randy in Hacks — a Hasidic Jew from Crown Heights turned Hollywood assistant — netted her an Emmy nomination despite the character having just six lines. It's not lost on her that the role basically mirrors her own biography, and she has zero complaints.
Garcia-Navarro shifts to Hoffman's TV career, and Hoffman lights up: Hacks changed her life, the Emmy nomination was surreal, and she has no complaints.[1]— Robby Hoffman"Robby Hoffman's role as Randy in Hacks — a Hasidic Jew from Crown Heights turned Hollywood assistant — netted her an Emmy nomination despit…"37:10 But Garcia-Navarro has found something that clearly still stings — a piece in a Jewish publication titled 'How Hacks Botched Its Yiddish Line.' The article argued that a Yiddish line Hoffman delivered in a late-season gag was grammatically incorrect. Hoffman's rebuttal is pointed: her mother, a fluent Yiddish speaker, gave her the word. The grammar around it might have been imperfect, but the word was right. And the broader irony is scalding — the Jewish community wanted representation and got Yiddish on a major TV comedy, and then the same community's press took issue with the grammar. Her little sister, Hoffman notes, is thrilled by the scrutiny: it means Robby isn't a nobody anymore.
Robby Hoffman isn't fearless — she's terrified all the time. The difference is she does it anyway, because not doing it feels worse than the fear itself.
John Mulaney texted Robby Hoffman out of nowhere saying he'd been a fan for a while and wanted to make a Netflix special with her. Robby called it 'shocking, horrifying, anxiety-inducing, surreal and thrilling' — and said yes.
Mulaney is buttoned-up, suit-wearing, classy. Robby is gritty, raw, and undefined. Together they made the collab nobody expected. Batman and Robin. Eminem and Dido.
Music had Pope Gregory forcing notation. Comedy has had 'magical thinking' — he's just got funny bones. But jokes work through discoverable, teachable mechanics. Writing down the rules doesn't kill the magic; it gives more people access to it.
Howard Ashman had one insight nobody else had: animated Disney films should be Broadway musicals. The third song of every great musical is the character sitting alone explaining what they want. That's 'Part of Your World.' That structure — combined with Alan Menken's compositions — generated Beauty and the Beast, Aladdin, and The Lion King, and turned Disney Animation into the most profitable creative engine in entertainment history.
The Lion King musical has been running for 30 years across Broadway, London's West End, and global touring companies. It has grossed over $11 billion in total revenue — more than Avatar, more than Avengers: Endgame, more than any album, more than any video game. It generates an average of $350 million in revenue every single year. Disney owns it outright.
The anonymous French artist Invader has hidden 1,500 pixelated mosaic artworks across Paris alone, with thousands more scattered across 80+ cities — affixed to the Eiffel Tower, the Hollywood sign, and even sent to the International Space Station. He might be even busier than Banksy.
The Flash Invaders app turns city streets into a treasure hunt, letting players scan Invader's hidden mosaics for points. Players have collectively logged over 47 million flashes. Unlike most mobile games that glue you to a screen, this one forces you to look up and engage with your surroundings.
New York draws thousands of young, talented performers every year chasing Broadway stardom — but the hard truth is that most of them never make it. Zelig Williams was one of the rare exceptions.
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